Sunwook Kim Plays Brahms
Thu Apr 28 — Sat Apr 30, 2022
Orchestra Hall
When architecture inspires music, edges and curves and textures weave together and take shape to create something stunning and new. Vivian Fung’s Aqua is such an example, an orchestral work inspired by the 82-story Aqua Tower in Chicago. Samuel Barber introduces a wave of orchestral sound with his single-movement Symphony No. 1. Joining the Orchestra for these concerts are conductor Gemma New, who steps onto the podium at Orchestra Hall for the first time, and pianist Sunwook Kim, who debuts in Brahms’ First Piano Concerto.
A Few Things to Know
- Composer Vivian Fung answered a few questions about her music, her first steps into composing, her inspirations and more in a new Q&A with the Minnesota Orchestra.
- The Aqua Tower was designed by Studio Gang and was imagined to portray a vertical landscape made up of hills, valleys and pools.
- Samuel Barber began composing music at age seven. By the time he sat down to write his First Symphony, he already had 18 years of experience.
Program
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FUNG
Aqua
1 min noteOne Minute Note
Inspired by and emulating Chicago’s Aqua Tower, Aqua is divided in two parts, the first representing the building’s ebbing and flowing balconies—with music first gentle and then violent—and the second depicting its dipping and swelling vertical pools, spotlighting solo harp and a climactic pandemonium of sound that dissipates into the ether.
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BARBER
Symphony No. 1
1 min noteOne Minute Note
Long, singing lines and memorable themes show Barber’s considerable melodic gift in this early work, written when the composer was just shy of 26. Rich orchestral color is provided by every instrument family as tunes change from soaring to jagged, from quiet to intensely powerful.
- INTERMISSION
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BRAHMS
Piano Concerto No. 1
1 min noteOne Minute Note
Many see in this work the young composer’s reaction to Beethoven’s Ninth Symphony and to the turmoil that followed the attempted suicide of Brahms’ dear friend, Robert Schumann. The concerto, dramatic and emotional, gives the orchestra an aggressive role, assigning more lyrical music to the piano. Of note: the second movement’s “lovely portrait” of Clara Schumann and, in the bold finale, cadenzas leading to a majestic conclusion.
Artists
The Grammy Award-winning Minnesota Orchestra, now in its second century, ranks among America’s top symphonic ensembles, with a distinguished history of acclaimed performances in its home state and around the world; award-winning recordings, broadcasts and educational engagement programs; and a commitment to intentionally build concert programs to feature more works by composers of color, exploring music both contemporary and historic. In September 2024, Danish conductor Thomas Søndergård begins his second season as music director.
Your Concert Experience
Join us for Q&A’s, hosted discussions, exhibits and more. All free with your concert ticket!
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Additional services are available upon request.