Edo de Waart’s 80th Birthday Celebration
Thu Oct 14 — Fri Oct 15, 2021
Orchestra Hall
We are celebrating conductor Edo de Waart’s 80th birthday in a big way! The former Minnesota Orchestra music director returns to the Orchestra Hall stage to conduct music by John Adams, Joseph Haydn and Antonín Dvořák. Principal Cello Anthony Ross is the featured soloist in Haydn’s leisurely Cello Concerto in D major, and Dvořák’s Eighth Symphony is exuberant and euphoric. It’s the perfect musical conclusion to a grand party.
A Few Things to Know
- Edo de Waart was the music director who hired cellist Anthony Ross when he first joined the Orchestra in 1988 and when he was selected for the principal cello position in 1991.
- Ross selected two cadenzas written by American composer Jessie Montgomery for use in Haydn’s Cello Concerto in D major, along with one he composed himself revising material from an earlier version by cellist Leonard Rose.
- John Adams’ Tromba Lontana (Fanfare for Houston)—meaning “a distant trumpet”—is subdued and contemplative, exactly the opposite of what you might expect from a fanfare.
Program
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ADAMS
Tromba Lontana
1 min noteOne Minute Note
John Adams grounds this fanfare in slowly-changing harmony and insistently pulsating rhythms, creating an ethereal, contemplative fanfare, not a blazing one.
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HAYDN
Cello Concerto in D major
1 min noteOne Minute Note
Composed intentionally to showcase the tone and technique of its soloist, Joseph Haydn’s Cello Concerto in D major is classic in style and leisurely to listen to, even while the cello part is exceedingly difficult and truly virtuosic.
- INTERMISSION
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DVOŘÁK
Symphony No. 8
1 min noteOne Minute Note
Antonín Dvořák’s Eighth Symphony is full of luminous melodies and unexpected harmonic shifts. The second movement alludes to the funeral march of Beethoven’s Eroica Symphony, but lighter elements prevail in a whirlwind finale that is delightfully Czech.
Artists
The Grammy Award-winning Minnesota Orchestra, now in its second century, ranks among America’s top symphonic ensembles, with a distinguished history of acclaimed performances in its home state and around the world; award-winning recordings, broadcasts and educational engagement programs; and a commitment to intentionally build concert programs to feature more works by composers of color, exploring music both contemporary and historic. In September 2024, Danish conductor Thomas Søndergård begins his second season as music director.
In the 2019-20 season Edo de Waart began his new role as Principal Guest Conductor of the San Diego Symphony Orchestra, with whom he had been a featured guest conductor for the previous five seasons. He concluded his tenure as Music Director of the New Zealand Symphony Orchestra at the end of their 2019 season and took up the role of Conductor Laureate; de Waart also holds the positions of Conductor Laureate of the Antwerp Symphony Orchestra and Netherlands Radio Philharmonic Orchestra and Music Director Laureate of Milwaukee Symphony Orchestra.
In addition to his existing posts, he was previously Music Director of the San Francisco Symphony, Minnesota Orchestra, Hong Kong Philharmonic, Rotterdam Philharmonic Orchestra and Sydney Symphony Orchestra, and Chief Conductor of De Nederlandse Opera.
As an opera conductor, de Waart has enjoyed success in a large and varied repertoire in many of the world’s greatest opera houses. He has conducted at Bayreuth, Royal Opera House, Covent Garden, Grand Théâtre de Genève, Opéra Bastille, Santa Fe Opera, and The Metropolitan Opera.
Dynamic leader of the Minnesota Orchestra’s cello section since 1991, prize-winning cellist Anthony Ross has appeared as soloist many times with the Orchestra, performing all the standard cello concertos under Osmo Vänskä, Edo de Waart and Eiji Oue. Equally passionate about new music, he has given powerful performances of Michael Daugherty’s Tales of Hemingway, James MacMillan’s Cello Concerto, Paul Moravec’s Montserrat, and he and his wife, cellist Beth Rapier, have championed David Ott’s Concerto for Two Cellos since 1993. Prior to assuming the principal role in Minnesota, Ross performed for four years as principal cello of the Rochester Philharmonic under David Zinman.
Ross’ compelling interpretations have won wide acclaim from Moscow to Kalamazoo, and Dallas to Duluth. As concerto soloist, he has played with the Moscow State Orchestra, the Louisville Orchestra, the Dallas Symphony, the Rochester Philharmonic, the South Dakota Symphony and many other Midwest regional orchestras. Ross’ recordings include Leonard Bernstein’s Three Meditations from Mass, the George Lloyd Cello Concerto with the Albany Symphony, and the sonatas of Rachmaninoff and Elliott Carter.
Your Concert Experience
Join us for Q&A’s, hosted discussions, pre and post-show drinks with musicians and more. All free with your concert ticket!
Accessibility Services
- Assistive Listening Devices
- Large Print Programs
- Service Animals
- Wheelchair & Accessible Seating
Additional services are available upon request.