Hope and Humanity
Thu May 19 — Sat May 21, 2022
Orchestra Hall
Thomas Wilkins makes his Minnesota Orchestra conducting debut in a soul-stirring performance that centers around Joel Thompson’s Seven Last Words of the Unarmed, a multi-movement choral work that presents the final spoken words of seven African American men who were each killed by the police or authority figures. The Minnesota Chorale, Twin Cities Choral Partners and 29:11 International Exchange join the Orchestra onstage in this concert that also features Franz Liszt’s poetic Les Préludes and Peter Ilyich Tchaikovsky’s triumphant Fifth Symphony.
A Few Things to Know
- Seven Last Words of the Unarmed remembers the lives of Michael Brown, Trayvon Martin, Oscar Grant, Eric Garner, Kenneth Chamberlain, Amadou Diallo and John Crawford. Learn more about this work on our blog.
- The audience is invited to reflect on Seven Last Words of the Unarmed during the performance and intermission. A program insert includes questions for audience reflection that were compiled in part from resources on the Seven Last Words of the Unarmed website; also included in the insert is information on the George Floyd Global Memorial Exhibit “Everything is Somebody’s Offering: A Rememory Experience” hosted at Orchestra Hall from May 19 to 21.
- Bass singer Marcus Simmons is the soloist in the third movement of Seven Last Words of the Unarmed, titled “Mom, I’m going to college.”
- Liszt indicated that Les Préludes was his depiction of a poem by Alphonse de Lamartine that begins: “What is our life but a series of preludes to that unknown song whose first solemn note is tolled by death?”
- Tchaikovsky’s very popular Fifth Symphony—which journeys from minor to major and darkness to hope—is filled with wonderful mottos, orchestral color, balletic beauty and high drama. An entire decade elapsed between the composition of Tchaikovsky’s Fourth and Fifth symphonies, a creative dry spell that followed the composer’s personal crisis of a short-lived marriage.
Program
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LISZT
Les Préludes
1 min noteOne Minute Note
Finding inspiration in many sources, and written in a form new to the orchestral repertoire, Franz Liszt’s Les Préludes is the work that laid the foundation for many great symphonic poems.
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THOMPSON
Seven Last Words of the Unarmed
1 min noteOne Minute Note
Joel Thompson’s Seven Last Words of the Unarmed speaks of the grief, sadness and horror that the composer and the world have felt after witnessing recent killings of Black men by police and other authority figures in the U.S. The final words of seven of these unarmed men—Kenneth Chamberlain, Trayvon Martin, Amadou Diallo, Michael Brown, Oscar Grant, John Crawford and Eric Garner—serve as the text of each of the cantata’s seven movements, in a structure inspired by Haydn’s The Seven Last Words of Christ.
- INTERMISSION
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TCHAIKOVSKY
Symphony No. 5
1 min noteOne Minute Note
Peter Ilyich Tchaikovsky’s very popular Fifth Symphony—which journeys from minor to major and darkness to hope—is filled with wonderful mottos, orchestral color, balletic beauty and high drama. Watch for the finale’s false conclusion, a great climax that tricks many listeners into thinking the performance is complete.
Artists
The Grammy Award-winning Minnesota Orchestra, led by Danish conductor Thomas Søndergård—who is serving as music director designate during the 2022-23 season—is recognized for distinguished performances around the world, award-winning recordings and broadcasts, educational engagement programs, and commitment to building the orchestral repertoire of the future. Founded in 1903, the Orchestra has an extensive history of touring throughout Minnesota, nationally and abroad, including high-profile visits in recent years to Cuba, Europe and South Africa. Recording projects undertaken in the past two decades include complete cycles of symphonies by Beethoven, Sibelius and Mahler, all recorded under Osmo Vänskä, who is now the Orchestra’s conductor laureate.
Thomas Wilkins is music director laureate of the Omaha Symphony. He was the longest-serving music director in the organization's 100+ year history, from 2005 to 2021. Additionally, he is principal conductor of the Hollywood Bowl Orchestra and holds the Germeshausen Family and Youth Concert Conductor Chair with the Boston Symphony. In August of 2017 he assumed the Henry A. Upper chair of Orchestral Conducting established by the late Barbara and David Jacobs as a part of Indiana University’s“Matching the Promise Campaign.” Past positions have included resident conductor of the Detroit Symphony and Florida Orchestra (Tampa Bay), and associate conductor of the Richmond (VA) Symphony. He also has served on the music faculties of North Park University (Chicago), the University of Tennessee in Chattanooga, and Virginia Commonwealth University in Richmond.
Devoted to promoting a life-long enthusiasm for music, Thomas Wilkins brings energy and commitment to audiences of all ages. He is hailed as a master at communicating and connecting with audiences. Following his highly successful first season with the Boston Symphony, the Boston Globe named him among the “Best People and Ideas of 2011.” In 2014, Wilkins received the prestigious “Outstanding Artist” award at the Nebraska Governor’s Arts Awards, for his significant contribution to music in the state. In 2018, Thomas Wilkins received the Leonard Bernstein Lifetime Achievement Award for the Elevation of Music in Society conferred by Boston’s Longy School of Music.
The Minnesota Chorale has served as the Minnesota Orchestra’s principal chorus since 2004 and is in its 28th season under the leadership of Kathy Saltzman Romey. Founded in 1972, the Chorale is Minnesota’s preeminent symphonic chorus, with a roster of over 200 singers. Best known for its work with the two major orchestras of the Twin Cities—including collaborations with the Minnesota Orchestra in performing, recording and international touring—the ensemble is equally dedicated to programs that build and enrich community. The Chorale continues to explore new artistic directions and collaborative opportunities, while earning the highest critical acclaim for its work on the concert stage.
The members of musical ensemble 29:11 come from the areas of the Cape Flats in Cape Town, South Africa. They have been trained by world-renowned musician Camillo Lombard and are currently under the direction of Brendon Adams, co-founder of New Hope International Exchange. They performed at Orchestra Hall most recently in November 2019 performances of Vaughan Williams’ Dona Nobis Pacem.
Your Concert Experience
Join us for Q&A’s, hosted discussions, exhibits and more. All free with your concert ticket!
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