Wordsmith on Juneteenth

It wasn’t just about performing; it was about listening, learning, and building bridges with people who saw themselves in the stories I told. Those experiences reminded me that art—when done with purpose—can be a powerful form of diplomacy. Traveling to these countries expanded my creative lens in ways I never expected. Being immersed in different cultures challenged me to rethink how I approach songwriting and performance—not just for entertainment, but as a vehicle for education, healing, and unity. I began weaving more global perspectives into my lyrics, drawing inspiration from the resilience, traditions, and voices I encountered abroad. These experiences deepened my sense of responsibility as an artist—not just to represent where I’m from, but to honor the broader human experience. It pushed me to be more intentional, more empathetic, and more courageous in my creative process.

What lessons can audiences take away from Freedom’s Genuine Dawn, and in particular, the Frederick Douglass speech it’s based on?

Freedom’s Genuine Dawn is rooted in Frederick Douglass’ powerful speech “What to the Slave Is the Fourth of July?”—and that speech still echoes with truth today. Audiences can take away a deeper understanding of how freedom, justice, and patriotism have not always been equally extended to everyone in America. It’s a reminder that the fight for equity is ongoing, and it calls on each of us to reflect on what freedom really means. The lesson is not just historical—it’s current. I want people to leave feeling more aware, more accountable, and more inspired to engage in the kind of progress Douglass fought for.

Tell us what the creative process for Freedom’s Genuine Dawn was like. What was your experience like collaborating with James Lee III?

The creative process was intense, emotional, and deeply rewarding. James Lee III is a phenomenal composer with a deep spiritual and historical awareness, and working with him was a true collaboration of vision and voice. We approached this piece with reverence—not only for Douglass’ words but for the legacy they carry. I focused on creating narration that would support an adaptation of his speech into a modern lyrical format, while preserving its urgency and truth, and James created a powerful orchestral landscape that elevated the message. It felt like we were channeling something greater than ourselves—something meant to educate and stir the soul. Side note, we created this body of work during the pandemic so we were unable to physically work together during the creation process. Zoom was our lifeline!

How do you celebrate Juneteenth? Do you have any traditions surrounding the holiday? 

I always take time to read, share, and discuss the true history behind the holiday—because it’s more than a celebration; it’s a reclaiming of narrative. I often participate in community events—whether it’s performing, speaking, or simply showing up to support spaces where Black voices and stories are centered. I also make it a point to engage youth in conversations about freedom and legacy. It’s a time to honor our ancestors, but also to look forward—to think about how we continue building the future they fought for.