Beethoven’s Violin Romances: Q&A with Cecilia Belcher

From July 10 to 12 at Orchestra Hall, the Minnesota Orchestra’s own Assistant Principal Second Violin Cecilia Belcher—a member of the Orchestra since 2014—makes her debut as soloist with the ensemble, performing two Romances by Ludwig van Beethoven. In this brief interview she reflects on the opportunity, what she enjoys about Beethoven’s music and what audiences can listen for in these performances.

What does it mean to you to have the opportunity to be featured as soloist with the Minnesota Orchestra, after having been a member for more than 10 years?

I’m so proud to be a member of this Orchestra, and it will be an absolute treat to be surrounded by my amazing colleagues as I take on this different role as soloist for a week. Since joining this Orchestra, it has been such an important and meaningful 10-plus years of my life, both musically and personally. In this decade I’ve started a family, which has opened up a whole new perspective on life and music for me. I believe that so much of someone’s life experiences adds to what can be said musically, and I’m excited to be able to share those experiences through this music. 

What are your favorite things about the Beethoven Romances No. 1 and 2, and some highlight moments the audience should listen for?

I love how both Romances are gentle and flowing and each have a middle section which reveals a bit more excited energy, but always return to the familiar sweet melody. The F-major melody in the Second Romance returns throughout the piece in such comforting ways—like seeing a special friend after missing them for some time.

The Minnesota Orchestra hasn’t performed the Beethoven Romances since 2002—but have you played them before with other ensembles?

I think such an amazing treasure of our Twin Cities is the multitude of local community orchestras. I had the great pleasure of performing these Beethoven Romances with the St. Paul Civic Symphony last year, which was a lot of fun.

In general, what do you enjoy most about playing Beethoven’s music?

No matter how many times I play a piece written by Beethoven, there’s always something new to hear and something new to explore. There is a very real and grounded quality about Beethoven’s music, and I think it’s those aspects that keep me inspired and always wanting to come back for more.