Associate Concertmaster Roger Frisch's retirement at the end of August 2018 marks the end of a memorable 44-year career. Congratulations, Roger!
Minnesota Orchestra musician since: 1974
Position: Associate Concertmaster
Hometown: Pittsburgh, Pennsylvania
Education: Cincinnati Conservatory of Music, Indiana University School of Music
How did you come to spend 44 years with the Minnesota Orchestra?
I got this job through my first audition, as I was finishing up my master’s at Indiana University, and I’ve been here ever since. At the time I joined, I was—as I like to say—Principal Last Chair Violin. Everyone had permanent seats then; it’s a more recent development that our string section players rotate. I moved to Associate Concertmaster 35 years ago and during that time I have also served as guest concertmaster with a number of orchestras, but I’ve never wanted to leave this orchestra. Minnesota is a great place to raise a family. Considering all of the playing my wife Michele (Principal Flute with Minnesota Opera) and I have been able to do here, and—maybe most importantly—the close, supportive, family-like personality of this Orchestra, this was the ideal place to put down roots.
Roger, far right, with other Minnesota Orchestra musicians who are Indiana University alumni, onstage at Indiana University, January 2018
What were your first concerts like?
I started in the summer of 1974, right before Orchestra Hall first opened. The Orchestra was done performing regularly at Northrop and we did almost all of our summer concerts that year outside. I’d never been exposed to the Minnesota mosquito, but in my first few months I think I built up an immunity to them! My first regular season concert was the grand opening of Orchestra Hall in October 1974, with Stanislaw Skrowaczewski conducting.
What are your most memorable concerts with the Minnesota Orchestra?
There was a period when Klaus Tennstedt was our Principal Guest Conductor. I remember those performances as exciting, even dazzling. There was something about the collective personality of this orchestra at the time that matched his intensity so well. Early on during my time here, I was fortunate to work with Aaron Copland, Arthur Rubinstein and Nathan Milstein. I will never forget those concerts and what those great artists brought to their performances! Playing the violin solo from the movie Schindler’s List with the beloved composer John Williams on the conductor’s podium was also very meaningful to me.
Roger and Concertmaster Erin Keefe walking on the field for a Vikings halftime performance at U.S. Bank Stadium in September 2016.
Who in the Orchestra has been particularly inspiring to you?
The principal oboist when I joined in 1974 was Rhadames Angelucci, who also played with the Orchestra for 44 years. The guy just loved music. During my first few years in the Orchestra, I would just watch and listen to him; it was like a master class every rehearsal.
What do you predict for the Minnesota Orchestra’s future?
When I got this job, I was studying with the legendary violinist Josef Gingold, who told me that the overall level of orchestral playing after four decades of his career, in the NBC and Cleveland Orchestras, was so much higher than when he first started. I could say those exact words today. It’s hard to imagine that things can get any better than they are now, but I know they will.
Are you excited to end your Minnesota Orchestra career on tour?
Yes! We have been on some incredible tours during my tenure. It was so special that we were able to go to Cuba in 2015, and now we’re going to South Africa. Experiencing different cultures has been a passion for Michele and me, but we’ve never been to Africa and it has been on my bucket list for a very long time.
Roger, center, on the Minnesota Orchestra's historic tour to Cuba in 2015
What does retirement hold for you?
I’ll certainly continue to teach and play, but there are so many other things I want to explore that go beyond that. Michele and I love to travel and we have a two-month visit to Provence, France, planned for summer 2019, as well as ministry concerts in Kiev. Also, there is a reason my kids are all in business professions. I love dealing with the business angle of things and I want to explore that more.
How would you sum up your long tenure?
It boils down to this: I feel remarkably fortunate to have lived out my dream of playing in a top orchestra. I have loved this career from beginning to end.