Meet a Musician: Augustin Hadelich

Meet a Musician: Augustin Hadelich

Violinist Augustin Hadelich performs Beethoven's Violin Concerto in concerts with the Minnesota Orchestra on June 8 and 9, under the direction of German conductor Jun Märkl. We asked Hadelich to tell us about his favorite moments in this concerto, and about his greatest influences, travels and recent projects (including an animated short film). 

What are some of your earliest memories involving music?
I started playing the violin when I was five years old. I have two older brothers who were already playing the cello and the piano, and that was what made me want to make music, too. In the evenings my whole family would assemble at the piano and sing Schubert Lieder or parts of operas.

Who influences you most in your career?
The first time I heard a great violinist play was when I was seven years old, and had been playing the violin for two years: it was a performance by the Italian violinist Uto Ughi, and it changed how I viewed the instrument (I did not even have any violin records or CDs prior to that). Later on, the recordings of David Oistrakh were a major influence for me. Nowadays I mostly get inspired by the people I play with, conductors and chamber music partners.

Which moments in Beethoven’s Violin Concerto are especially meaningful to you?
Every time I play the slow movement of the Beethoven, I marvel at how perfect, how simple, intimate and human it is. Perhaps it gives us—just for a moment—an insight into some deep fundamental truth of our existence, a glimpse of what lies beyond. My feeling about Beethoven's greatest works is that the better you know and understand them, the harder it is to imagine a person being able to write something so extraordinary.

The first movement begins with four fateful notes in the timpani, a motive that appears throughout the movement, sometimes tranquil, other times in anger or defiance. The movement that’s most fun for me to play, though, is the last movement, a light-hearted rondo which always makes me smile.

As you travel around the world to perform, what are some of your favorite destinations?
My two all-time favorite places in the world are New York (where I’ve lived for the past 14 years) and Tuscany (where I grew up), but I feel lucky that I get to go to so many other exciting places! I’ve recently traveled to wonderful places like Amsterdam, Hong Kong, London, Tokyo and Hawaii. Since I’m there to work, I usually pick only one day to explore a bit, and focus on rehearsals and concerts the rest of the time. 

When you get a chance to attend a concert as an audience member, what do you love to listen to?
When I hear a great performance that moves me, I am reminded of why I do what I do! I travel so much that I don’t get the chance to go to as many concerts as I’d like. When I do I often stay away from the violin repertoire, because I can never switch my violinist brain off when listening to that repertoire. Piano recitals, voice recitals (Lieder for example), opera—it really depends on what’s on when I happen to have a free evening!

What do you do in your free time?
Many people don’t realize how much of my time is spent traveling, writing, thinking up programs and booking flights. I wish the only thing I did was play the violin; that’s the fun part! When I am home in New York, I like to get together with friends and play board games.

Do you have any recent projects you would like to share? 
I recently released an album of the 24 Caprices by Nicolò Paganini on Warner Classics, which was a big project and took about a year to make (although it feels like I worked towards it my whole life!). 

I also made an animated cartoon called “Fantasia dei Gatti” featuring Caprice No. 17—it is a caprice that always reminded me of meowing cats, and I collaborated with an amazing director, Paul Glickman, and animator, Tam King, to make this animated short film.

For more about Augustin Hadelich, visit

Click here for more about the concerts and to purchase tickets. 

Minnesota Orchestra Staff