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Osmo Vänskä /// Music Director

Past Stories

Q&A with Kevin Puts

November 1, 2018
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Q&A with Kevin Puts

Peak of Perfection: Recording a Musical Legacy

Celebrate the Holidays at Orchestra Hall

Recent Articles:

First Timer's Guide to Orchestra Hall

We know what you're thinking. An orchestra concert. Audiences formally clad in tuxes and gowns. A light smattering of polite applause. An uncomfortable seat with lots of shushing. Not an ideal way to spend your Saturday night, right?

Forget about it.

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Music for All

Guest blogger Mandy Meisner learns how the Minnesota Orchestra’s Sensory-Friendly Concerts are making Orchestra Hall inclusive for all audiences. Sensory-Friendly Concerts at Orchestra Hall are designed for patrons of all ages and abilities, including individuals on the autism spectrum and those with sensory sensitivities. The 2018-19 series includes five concerts featuring the full Orchestra and three featuring solo instruments or small ensembles, beginning with a performance by cellist Katja Linfield in the Target Atrium on November 20.

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Donors are the Heart of the Minnesota Orchestra

For over a century, enthusiastic Orchestra patrons have made generous contributions to guarantee our ability to present awe-inspiring performances for the community each season. We are grateful for this outpouring of generosity that helps to sustain our remarkable Orchestra. Equally heartening are the unique Minnesota Orchestra stories these donors have shared through the years. Read some of their unforgettable experiences that have inspired such generous support at every level.

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A Resounding Resurgence: The Music of Florence Price

Florence Beatrice Price was the first African American woman to have her work performed by a major American orchestra. During our American Expressions Festival in January, the Minnesota Orchestra performs her Third Symphony—which received its world premiere this very week in 1940. And this weekend audiences can hear the piece that first put her on the map as a great American composer, when the Minnesota Philharmonic Orchestra performs her First Symphony at Ted Mann Concert Hall.

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Q&A with Kevin Puts

In Minnesota Orchestra concerts November 15, 16 and 17, the Orchestra performs Inspiring Beethoven by Pulitzer Prize-winning composer Kevin Puts, who has also served as the director of Minnesota Orchestra's Composer Institute since 2014. This marks the Minnesota Orchestra premiere of this work. We asked Puts about how to approach new music, what inspired him to write Inspiring Beethoven and his role in the Minnesota music scene.

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Peak of Perfection: Recording a Musical Legacy

By Matthew Philion 

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Pick Six: Minnesota Orchestra Recordings

For those looking to begin—or expand--a classical collection, audiophile Matthew Philion compiles this short list of Minnesota Orchestra recordings that should be in your music library.

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Getting the Band Back Together: Orchestra Notes from Dessa

Fresh off a successful two-night collaboration, Dessa recaps her recent performances with the Minnesota Orchestra and tells us what it's like to collaborate with conductor Sarah Hicks and the Orchestra musicians. 

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Celebrate the Holidays at Orchestra Hall

The spirit that fills the stage at Minnesota Orchestra’s holiday concerts spreads throughout the entire building with a variety of additional performances and activities, making Orchestra Hall the perfect place to celebrate the season with your loved ones.

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“Sharing the Harvest” solo art exhibition

Minnesota Orchestra audiences were introduced to the artwork of Mary Pettis in June 2017, when the Orchestra hosted her Beyond the Surface solo exhibition through the OH+ program in conjunction with the Orchestra’s concert of French impressionistic music.

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Proud to Serve: Military Veterans in the Minnesota Orchestra

In honor of Veterans Day, we salute current and former members of our country's Armed Forces. The Minnesota Orchestra is fortunate to have a number of military veterans among our current and retired musicians and staff. We asked some of them to tell us about their military experience and how it contributed to their roles in the Minnesota Orchestra.

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Celebrating YPSCA, young talent and the Minnesota Orchestra

The Young People’s Symphony Concert Association (YPSCA) is excited to start a new season of activities that encourage a love of great music in young people. One particularly thrilling project is the annual Young People’s Concerto Competition (formerly called School Music Auditions).

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Mahler, Bernstein and Me

By C. C. Yager

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Revisiting Old Friends

If you’re the type of person who seeks out unique, once-in-a-lifetime opportunities, then this list is for you. Along with a series of new pieces this season, the Minnesota Orchestra will perform several works that are rarities here, having graced the Orchestra’s music stands only once or twice in its 115-year history. Here are a few of the highlights.

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From Orchestra Hall to Ethiopia

In her first concerts with the Minnesota Orchestra in April 2017, Minneapolist native rapper-vocalist-writer Dessa shared with us an EnviroRider developed by the Minneapolis-based Effect Partners. When she returns on October 5 and 6 to perform again with the Orchestra, Dessa’s EnviroRider does, too. We are thrilled to partner with her for both the music onstage and in ways that reach far beyond Orchestra Hall. 

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Get to Know the OH+ Listening Station Composers

The Minnesota Orchestra’s upcoming season features the work of many great American composers, including Florence Price, Missy Mazzoli, Libby Larsen, and Amy Beach. Enjoy pieces by these four composers in our OH+ listening station, curated by Hymie’s Vintage Records, and read on to learn more about their lives and when you can hear the Orchestra perform their work during the 2018-2019 Season!

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Q&A with Composer Kareem Roustom

Minnesota Orchestra's 2018-19 season includes many works new to the Orchestra's repertoire, and the first of these is a work titled Ramal by Syrian-American composer Kareem Roustom. Get to know the composer before his Minnesota Orchestra debut on September 27, 28 and 29.

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Meet President & CEO Michelle Miller Burns

As the Orchestra launches its season opening concerts, President and CEO Michelle Miller Burns welcomes audiences to the 2018-19 season.

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Welcome our Newest Musicians

The Minnesota Orchestra is excited to welcome three additional musicians to its roster this season. Violist Jenni Seo has been appointed Assistant Principal Viola, a position held since 2010 by recently-appointed Principal Viola Rebecca Albers; cellists Minji Choi and Erik Wheeler have been appointed to section positions.

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A Moment with Emanuel Ax

Seven-time Grammy-winning pianist Emanuel Ax joins us on September 21 and 22 to open the season with Brahms’ exquisite Second Piano Concerto. We spoke with him about the challenges and joys of this extremely difficult piece, and about his 44-year relationship with the Minnesota Orchestra.

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Experience New Music With Us

The modern symphony orchestra has been built on centuries of musical traditions. Orchestral musicians have each trained for thousands of hours in classical techniques which have stood the test of time. Listeners might find familiarity and comfort in works by the great pillars of orchestral composing, such as Beethoven, Mozart, Tchaikovsky and—especially here in Minnesota lately—Sibelius and Mahler. However, in this art form, there will always be room for new ideas, new voices and new sounds. 

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Northrop's Historic Pipe Organ

About the Northrop organ

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Johannesburg | Aug 18

On Saturday morning, August 18, the Minnesota Orchestra crew completed their final load-in of the tour at Johannesburg’s City Hall and the musicians boarded the buses for a short trek to the venue. Even the chilly winter morning couldn’t erase the afterglow of Friday night’s concert in Soweto!

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Soweto | Aug 17

Four musicians jumped on a bus in Johannesburg on Friday morning, August 17, headed to Soweto to attend a special Books for Africa event. Their day began with solo and chamber music performances for hundreds of students at Missourilaan Secondary School and ended with a grand Orchestra concert at one of South Africa's most historic venues.  

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Pretoria | Aug 16

On Thursday, August 16, the Orchestra performed their third concert of the South Africa tour, in the Aula Centre at the University of Pretoria. Before the performance, however, Minnesota Orchestra musicians fanned out around the campus, working with students from the University and from the South African National Youth Orchestra.

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His Sacrifice

By Ashidy Adams, a student at Missourilaan Secondary School

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Pretoria | Aug 15

The Orchestra headed to the University of Pretoria on Wednesday, August 15, for an afternoon side-by-side rehearsal with the South African National Youth Orchestra (SANYO) and an evening rehearsal with the Minnesota Chorale and Gauteng Choristers.

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Durban and Johannesburg | Aug 13-14

Musicians enjoyed a free day on Monday. Some spent the time in sunny Durban, while others opted for a trek to Pilanesberg National Park, roughly three hours drive from Johannesburg, for a short and sweet safari experience at Bakubung Lodge, complete with lions, hippos and giraffes.

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Durban | Aug 12

The Orchestra landed in Durban on Saturday night, immediately feeling the more temperate weather of this busy port city known for expansive Indian Ocean beaches and a subtropical climate in the “garden province” of KwaZulu-Natal. A cheerful band of Orchestra wind players headed out first thing on Sunday morning to join the young musicians of the KwaZulu-Natal Youth Wind Band in rehearsal.

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Cape Town | Aug 10-11

The spirit of Nelson Mandela was alive as the Minnesota Orchestra kicked off its South Africa Tour with a performance at Cape Town City Hall on Friday evening, August 10.

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Cape Town | Aug 8-9

Minnesota Orchestra musicians arrived in bright and breezy Cape Town on Wednesday morning, and if any spirits were lagging after the 11-hour night flight, a welcome-to-the-city performance by a traditional, brassy Kaapse Klopse band—this one called Happy Sounds Youth Development and comprising students from 12 to 18—helped to revive them.

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BBC Proms | Aug 6

On August 6, the Minnesota Orchestra made a triumphant return to the BBC Proms, the world’s largest classical music festival, with an all-American program. Music Director Osmo Vänskä led the Orchestra in a performance of Bernstein’s Overture to Candide, George Gershwin’s Piano Concerto in F, featuring Inon Barnatan as soloist, and Charles Ives’ visionary Symphony No. 2.

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The Piano Tuner Behind It All

As the Orchestra concludes its 2017-18 season at Orchestra Hall, it offers a big round of applause for someone who is not normally in the concert spotlight: retiring piano tuner Jerry Ouska, who served the Orchestra, its pianos and world-famous pianists for 34 years. By Dan Wascoe

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Performing at the Proms: a Q&A with Inon Barnatan

“One of the most admired pianists of his generation," according to The New York Times, pianist Inon Barnatan recently played with the Minnesota Orchestra in January for the Tchaikovsky Marathon and the Midwest Tour. Last year, he debuted at the world's largest classical music festival, the BBC Proms; he returns to the prestigious venue next month with the Orchestra to perform Gershwin's Piano Concerto in F.

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Beat the road construction blues and enjoy the music!

We totally agree with you: road construction in the Twin Cities is making it tough to get around right now! The Minnesota Orchestra is still here and working hard to create world class performances for you at Orchestra Hall, and we don’t want traffic cones and detours to spoil your summer concert experience.

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Akiko Fujimoto Named Associate Conductor

The Minnesota Orchestra announced this month that Akiko Fujimoto, who joined the Orchestra’s artistic roster as assistant conductor in 2017, has been named associate conductor for the 2018-19 season.

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Harmonia Ubuntu

Bongani Ndodana-Breen

Born: August 1975, Queenstown, South Africa; now living in Cape Town, South Africa

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Q&A with Associate Concertmaster Roger Frisch

Associate Concertmaster Roger Frisch's retirement at the end of August 2018 marks the end of a memorable 44-year career. Congratulations, Roger!

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A Sensory-Friendly Concert For All

The Minnesota Orchestra invites you to mark your calendar and spread the word about the Family Concert on the afternoon of Saturday, July 14. The concert, which features music by Leonard Bernstein, Igor Stravinsky, John Williams and other favorite composers, will be the Orchestra’s first full-ensemble Sensory-Friendly Concert.

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Celebrating Kevin Smith

When Kevin Smith joined the Minnesota Orchestra as interim President and CEO in July 2014, the Orchestra was emerging from a 16-month lockout, with questions lingering about its ability to raise donations, sell subscriptions and re-establish relationships.

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Happy Fourth! A Classical Music Playlist

Happy Fourth!

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A Life with Music

By Dr. David Hilden

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“The Energy from the Orchestra was Palpable”

Roderick Cox remembers highlight moments of his Orchestra tenure (and we’ve got video!)

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Inside the Classics: Speaking Truth to Power

By Sam Bergman, viola and host of Inside the Classics

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Just added for the 18-19 season

Live at Orchestra Hall

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Heartstrings

Guest blogger Mandy Meisner waited more than 20 years to hear her teenage idol in person.

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Get the Inside Scoop on Orchestra Rehearsals

Assistant Conductor Akiko Fujimoto shares insider tips on what to watch for while attending a Minnesota Orchestra open rehearsal.
Program Notes: Bernstein and Walton

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Program Notes: Beethoven and Berlioz

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Program Notes: Vänskä Conducts Mahler's Fourth

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Meet a Musician: R. Douglas Wright

Minnesota Orchestra member since: 1995
Position: Principal Trombone
Hometown: Hopewell, VA
Education: New England Conservatory; Boston University

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"Sounds of the Cinema" - 2018 Symphony Ball

Thanks to the many community members and volunteers who generously invested their time, talents, energy, and financial support, the 2018 Symphony Ball was a spectacular success. More than 1,200 guests experienced the magic of music in the movies brought to life by your Minnesota Orchestra and special guest jeremy messersmith.

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Meet a Musician: Augustin Hadelich

Violinist Augustin Hadelich performs Beethoven's Violin Concerto in concerts with the Minnesota Orchestra on June 8 and 9, under the direction of German conductor Jun Märkl. We asked Hadelich to tell us about his favorite moments in this concerto, and about his greatest influences, travels and recent projects (including an animated short film). 

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Meet a Guest Artist: Christine Van Loo

Christine Van Loo has performed with the acrobatic troupe Cirque de la Symphonie for a decade and is considered a legend in the sport of acrobatic gymnastics. On May 18 and 19, she performs onstage, above stage and flying through the air at Orchestra Hall in concerts with Cirque de la Symphonie, the Minnesota Orchestra and conductor Sarah Hicks. The Minnesota Orchestra musicians may be acrobats on their instruments, but having an aerialist like Christine in Orchestra Hall is a rare treat, and we wanted to learn more about her before these upcoming shows.

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Andrew Litton Prepares a June Triple Bill

By Dan Wascoe

When Andrew Litton returns to lead the Minnesota Orchestra June 1 and 2, he’ll bring to the podium three old friends—pieces he knows well but that seldom get performed in Orchestra Hall.

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Common Chords: Mankato

Take a look back at the Minnesota Orchestra's recent stop in Mankato from April 25-27. This visit to the Minnesota River Valley is all part of the Minnesota Orchestra’s Common Chords program, which establishes partnerships between the Orchestra and Greater Minnesota cities, each culminating in its own unique residency.

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Giving Back: Getting to Know Minnesota Orchestra's First Good Fellow

Orchestra Hall is quiet and tuba player Jason Tanksley sits alone on the stage, performing some of the most challenging passages in the tuba’s repertoire. He plays behind a large opaque screen; on the other side sits a committee of Minnesota Orchestra musicians, each of whom is listening carefully. It’s a typical set-up for an orchestral audition, but this one is out of the ordinary.

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Program Notes: Britten and Schumann

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Program Notes: American Voices

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Symphony Ball Q&A with Wendy Williams

“Sounds of the Cinema” is the theme of the Minnesota Orchestra’s 2018 Symphony Ball gala fundraiser, which takes place on Saturday, May 12. Complete details of the Orchestra’s performance are being kept as a surprise for unveiling at Symphony Ball, but Orchestra flutist Wendy Williams gave us a few clues and background on how the music was selected, and details about special guest performer jeremy messersmith.

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Jeff Beal's Concerto for Flute and Orchestra

Jeff Beal may be best known as a composer of music for films and television, but his newly-written Flute Concerto has its origins not in Hollywood—nor the Washington D.C. of his Emmy Award-winning score for Netflix’s House of Cards. Instead the genesis came in Stockholm, Sweden, where Beal worked out the basic parameters of the concerto over coffee and conversation with flutist Sharon Bezaly in June 2015.

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Meet a Musician: Maureen Conroy

Minnesota Orchestra Member Since: 2017
Position: Principal Librarian
Hometown: Valencia, CA
Education: University of California, Santa Barbara; University of Michigan, Ann Arbor 

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Program Notes: Cameron Carpenter Plays Rachmaninoff

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Program Notes: Osmo Vänskä and Joshua Bell

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Audience spotlight: My unexpected connection with the Minnesota Orchestra

By audience member David Steinmeyer

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Program Notes: Liszt Piano Concerto

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Minnesota Orchestra launches new Mauer recording project

The Minnesota Orchestra and Music Director Osmo Vänskä on Sunday announced a brand-new initiative to record the music of Minnesota Twins first baseman Joe Mauer.

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Remember the Titans

by guest blogger Mandy Meisner

As the first tease of spring arrived with much anticipation, a friend and I spent the evening of March 16 at Orchestra Hall for a night of Weill and Mahler.

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Cloud Cult’s “Live Like You Mean It” Exhibit

In conjunction with Cloud Cult’s performances with the Minnesota Orchestra on April 7 and 8, Cloud Cult has created an interactive “Live Like You Mean It” art exhibit in Orchestra Hall’s lobby, free and open to the public on April 7 and 8.

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Q&A with Symphony Ball Chairs Karen and Lloyd Kepple

Lights, camera, action! Symphony Ball 2018, “Sounds of the Cinema,” is bringing Hollywood magic to Orchestra Hall on Saturday, May 12, for a gala evening of film music, dining, auctions, dancing and good company, all for a great cause: your Minnesota Orchestra. Ball Chairs Karen and Lloyd Kepple share thoughts on Symphony Ball—the Orchestra’s largest annual fundraiser.

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“The Best Conversation I Ever Had”

Assistant Conductor Akiko Fujimoto shares thoughts on her new Minnesota Orchestra position, running a good rehearsal, and the best conversation she ever had.

By Dan Wascoe

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Vikings Halftime Performance

The last time The Steeles played with MN Orch it was on the fifty-yard line! Watch it here in this tribute to Prince at the opening of the U.S. Bank Stadium.
Silver Linings

by Adam Kuenzel

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Program Notes: Vänskä Conducts Mahler's Titan Symphony

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Program Notes: Debussy's La Mer

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I'm No Expert

Something funny has happened. People assume I know a lot about music.

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Meet a Musician: Vocalist China Forbes

Vocalist China Forbes began singing with Pink Martini in 1995 and has since co-written many of the ensemble’s most beloved songs with Thomas Lauderdale. She takes the stage at Orchestra Hall with Pink Martini and the Minnesota Orchestra on March 9 and 10.

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Program Notes: Beethoven's Emperor Concerto

Download program page (pdf) | Buy tickets to this performance | Read Kenny Broberg Bio (pdf)

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Meet a Musician: Fei Xie

Minnesota Orchestra member since: September 2017
Position/section: Principal Bassoon
Hometown:
Tang Shan, China
Education:  
M.M., Rice University, B.M., Oberlin College

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Program Notes: West Side Story

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Program Notes: Fauré Requiem

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Midwest Tour 2018: University of Illinois at Urbana-Champaign

Orchestra musicians and staff were warmly welcomed to the University of Illinois at Urbana-Champaign this week.

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Midwest Tour 2018: Chicago

The Midwest tour concluded on Sunday afternoon with a performance at the Chicago Symphony Center, home of the Chicago Symphony Orchestra. This concert marked the Orchestra’s first performance on Chicago’s Orchestra Hall stage in over 50 years; the last was in 1966 under then-Music Director Stanislaw Skrowaczewski.

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Midwest Tour 2018: Indiana University

Just as the Minnesota Orchestra was scheduled to head off on its Midwest tour, a blizzard hit Minneapolis, leaving hundreds of flights grounded. Many of the musicians would have to wait another day to begin their journey to Indiana.

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Meet the Annotator: Q&A with program note writer Eric Bromberger

When you attend a Minnesota Orchestra concert, you may start out by reading program notes. Learn more about who writes program notes and their unique backgrounds and perspectives in our new “Meet the Annotator” Q&A series. First up is Eric Bromberger, who most recently wrote program notes for our Tchaikovsky Marathon.

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Winter Dreaming

Guest blogger Mandy Meisner rings in 2018 at Orchestra Hall.

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Program Notes: Tchaikovsky Piano Concerto No. 1

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Tchaikovsky Marathon: Music by a (mostly) young composer
Some composers achieve success effortlessly. Others struggle for years. Tchaikovsky was in the latter camp. He made his first attempt at composition at age 4, but his apprenticeship was long and difficult. Compounding the problem was Tchaikovsky’s sensitivity to criticism, both from others and from continual self-doubt. Yet even as a young composer he produced some radiant scores, and this concert offers two pieces that had to overcome much opposition. The First Symphony attracted so much criticism while still in manuscript that Tchaikovsky could get only individual movements performed and had to wait years for a complete performance. The First Piano Concerto provoked the most destructive criticism the composer ever faced. But it also revealed a tough confidence beneath his perpetual self-doubt: Tchaikovsky refused to make any changes, and the concerto went on to become one of his best-loved works.

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Program Notes: Tchaikovsky Symphony No. 4

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Tchaikovsky Marathon: Tchaikovsky and Italy
All three pieces on this program have a connection to Italy, and all three were at least partially composed there. The connection with Capriccio italien is clear: the music was inspired by Tchaikovsky’s visit to Rome in 1880. He fell in love with that great city and incorporated some of its music into the Capriccio. The other two works come from a less happy moment in Tchaikovsky’s life, the aftermath of his disastrous marriage, when the stunned composer left Moscow and fled to Western Europe. He did some of the work on the Second Piano Concerto in Rome and completed the Fourth Symphony in San Remo, on the shores of the Mediterranean. Italy is much less an “influence” on these two works than on the Capriccio, but the fact that Tchaikovsky—at a moment of great personal distress—would choose to live and work in Italy may tell us all we need to know about his feelings for that country.

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Program Notes: Tchaikovsky Symphony No. 6

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Tchaikovsky Marathon: Slavic heritage
Like so many Russian composers, Tchaikovsky was proud of his Slavic heritage. “I love passionately the Russian character in all its expression,” he said, a sentiment that would be echoed by The Mighty Five—Cui, Balakirev, Borodin, Mussorgsky, and Rimsky-Korsakov—and by many other Russian composers. This program begins with two works, both written when Tchaikovsky was in his thirties, that make that passion clear. His Marche Slave (Slavic March) had a frankly political purpose: Tchaikovsky was enlisted to aid the effort to get the Russian government to intervene militarily to protect their Serbian cousins. The Violin Concerto had no such purpose, but this music—in a purely classical form—is infused with a Russian character all its own, as a hostile critic was quick to point out. Eduard Hanslick, doyen of the Viennese musical establishment, recoiled before the concerto’s “Russian-ness.” Today we value it precisely for that distinct character.

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Program Notes: Tchaikovsky Symphonies No. 2 & 5

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Tchaikovsky Marathon: Influences
We think of Tchaikovsky as so original, so unique, that it comes as a surprise to recognize that there were strong influences on his music. The first of these was Russian folk music. Like many other Russian composers of his generation, Tchaikovsky felt the charm of the music he heard sung around him on the streets and in the fields. His Second Symphony—which opens this program—incorporates a number of ancient folksongs from the Ukraine. Another (and quite unexpected) influence on Tchaikovsky was the music of Mozart. Those two may seem very different people and composers, but Tchaikovsky admired the clarity and emotional balance of Mozart’s music; the Rococo Variations represent his effort to write this kind of music. The Fifth Symphony, however, finds Tchaikovsky speaking in a voice that is very much his own.

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Program Notes: Tchaikovsky Symphony No. 3 and Piano Concerto No. 3

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Tchaikovsky Marathon: Hardly failures
At first glance, this program might seem to offer a collection of Tchaikovsky’s misfires. It opens with his least-familiar symphony, continues with a piano concerto he assembled from an abandoned symphony, and concludes with a ballet score that brought down on the poor composer the most painful failure he ever endured professionally. Though these three works were not immediate triumphs for Tchaikovsky, they clearly flow from the pen of a master, and are most worthy of listening.

It may seem incomprehensible that Tchaikovsky’s music for Swan Lake could have been attacked for its complexity or derided for being “too Wagnerian,” yet it was. Today it ranks as one of his most popular ballets (and in recent years, crossed paths with cinema through its central focus in the film Black Swan). The Third may be the least-played of Tchaikovsky’s symphonies, but it offers distinct pleasures of its own: it is Tchaikovsky’s only symphony in a major key, and one senses its kinship with ballet throughout. Tchaikovsky composed a symphony in 1892, but abandoned it. Rather than burning his manuscript, though, he converted the symphony’s first movement into a piano concerto. This concerto is rarely played, so enjoy this performance—Tchaikovsky himself never heard it.

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Chopin, the Piano and Me

by Al Sicherman

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Meet an Artist: Alejandro Vega

On December 21, the Minnesota Orchestra presents two performances of a new concert called  Home for the Holidays. Middle-schooler Alejandro Vega —who is a bright, young actor and singer — makes his Minnesota Orchestra debut in these performances. We took some time to get to know Alejandro and talk about his role in this new show as we prepare for the concerts. 

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Program Notes: A Christmas Oratorio

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Meet A Musician: Peter McGuire

Minnesota Orchestra member since: 2003-2012, 2016-current
Position:
Principal Second Violin
Hometown:
Mankato, Minnesota

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Hope Never Sounded So Good

On October 7th, guest blogger Mandy Meisner went to the “Send Me Hope” concert conducted by Roderick Cox. How was this concert different than the usual fare? Read on to find out.

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Arts Access: A musical collaboration across the Twin Cities

Young musicians from two local organizations will perform before Minnesota Orchestra concerts at Orchestra Hall Thursday and Friday.

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Meet a Musician: Gabriel Campos Zamora

Minnesota Orchestra member since: 2016
Position:
Principal Clarinet
Hometown:
San José, Costa Rica
Education:  
The Colburn Conservatory, Los Angeles, CA   

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Program Notes: Brahms' Fourth Symphony

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The Live Radio Experience: “Making a Little Community for a Few Hours on a Friday night”

By Brian Newhouse

I remember that night so well because I’d never kicked in a door before. I was a few months out of college and living alone in a rented farmhouse. The cornfields that stretched for miles around the house were buried in snow. A northwest wind had drifted the roads shut and badgered the house all day. Just after dinner the bathtub pipes burst. It sounded like two small firecrackers. Twin roostertails of water sprouted from the pipes and sprayed the walls.

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