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Osmo Vänskä /// Music Director

Saturday Evening Full Series


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Season Opening: Osmo Vänskä and Emanuel Ax

About This Concert:

The first concert of the season showcases the vibrant talent of composers Aaron Copland and Joan Tower and pianist virtuoso Emanuel Ax in a celebration of American innovation, originality and creative vision.

*TOWER
Fanfare for the Uncommon Woman, No. 1

*COPLAND
Appalachian Spring

BRAHMS
Piano Concerto No. 2

Fun Facts:

  • Tower’s Fanfare, a tribute to risk-taking, adventurous women everywhere, has been performed worldwide by over 500 ensembles.
  • In 2008, Tower's Made in America won three Grammys: Best Orchestral Performance, Best Classical Album and best Classical Contemporary Composition.
  • A trailblazer in the world of female American composers and conductors, Joan Tower began her musical career in the 1960’s and went on to become, in the words of the New Yorker, "one of the most successful woman composers of all time.”
  • Ax has received Grammys for two volumes of his cycle of Haydn piano sonatas, and for his recordings of Beethoven and Brahms sonatas with cellist Yo-Yo Ma.
  • Appalachian Spring is part of a trilogy of dance interpretations of the American frontier spirit that also includes Billy the Kid (1938) and Rodeo (1942).
  • Echoing the “high lonesome” bluegrass sound popular at the time, Copland’s open chords and minimal textures used traditional American music as an inspiration.
  • Created as the score for a ballet by the legendary Martha Graham, Appalachian Spring takes its title from a poem by modernist American poet Hart Crane.

*This work is part of Minnesota Orchestra’s season-long exploration and celebration of American music. Learn more about our American Expressions festival in January 2019.

Accessibility

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Sat Sep 22 8pm

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Vänskä Conducts The Planets

About This Concert:

Drawing on cosmic, Cubist and cultural influences, this concert is both nuanced and mesmerizing, featuring work by the gifted Syrian-American composer Kareem Roustom, as well as John Adams and the ever-inspiring Gustav Holst.

*ROUSTOM
Ramal

*ADAMS
Gnarly Buttons for Clarinet and Small Orchestra

HOLST
The Planets

Fun Facts:

  • Roustom’s Ramal, commissioned by Daniel Barenboim for the West-Eastern Divan Orchestra, was described by The New York Times as “propulsive, colorful and [an] immediately appealing creation.”
  • The Guardian praises Ramal as “arrestingly quirky and postmodern…music with lots of personality” and the Chicago Tribune has described Roustom as “a gifted and accomplished artist…one of the most prominent active Arab-American composers.”
  • Composer John Adams says the title of his work refers both to the “gnarly buttons” on trees, and the keys on a clarinet.
  • A fan of astrology, Holst based the narrative of The Planets in astrology, not astronomy, with each movement evoking the mythological characteristics of various planets.
  • Award-winning composer John Williams used rhythms and harmonies from the Mars movement as an inspiration for the soundtrack of Star Wars.

*This work is part of Minnesota Orchestra’s season-long exploration and celebration of American music. Learn more about our American Expressions festival in January 2019.

Accessibility

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Sat Sep 29 8pm

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Celebrating Northrop's Restored Pipe Organ

About This Concert:

Celebrate the restoration of Northrop’s prized organ with music of contemporary composer John Harbison and Saint-Saëns that showcases its rich sound and tremendous resonance.

  • Minnesota Orchestra
  • Osmo Vänskä, conductor
  • Paul Jacobs, organ

BACH/Hubay
Chaconne from Partita No. 2

*HARBISON
What Do We Make of Bach? for Orchestra and Obbligato Organ [World Premiere]

SAINT SAËNS
Symphony No. 3, Organ Symphony

Please note: This concert will be performed at Northrop at the University of Minnesota.

Fun Facts:

  • This concert is presented in collaboration with Northrop, University of Minnesota.
  • With 7068 pipes that vary from straw-sized to 32 feet, the organ takes up a space roughly equal to the width of Northrop's stage.
  • In 1999, the Organ Historical Society named Northrop’s organ an “exceptional historic merit worth of preservation.”
  • Harbison, the Minnesota Orchestra’s 2018-19 Featured Composer, is celebrating his 80th birthday in 2018.
  • In 1998, John Harbison won the Heinz Award for the Arts and Humanities. He has also received a Kennedy Center Friedheim First Prize for his Piano Concerto as well as a MacArthur Fellowship.
  • A rockstar of the organ world, Paul Jacobs played Bach’s complete organ works in an 18-hour marathon performance on the 250th anniversary of the composer’s death.
  • Saint-Saëns’ beloved Organ Symphony was the third and final of his symphonies.
  • Historians speculate that Bach composed the Chaconne between 1718 and 1720, after returning from a trip to find his wife Maria Barbara had died.

*This work is part of Minnesota Orchestra’s season-long exploration and celebration of American music. Learn more about our American Expressions festival in January 2019.

Accessibility

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Sat Oct 13 8pm

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Vänskä Conducts Mahler's Seventh

About This Concert:

Under-appreciated in its own time, Mahler’s sumptuously structured Symphony No. 7 receives the brilliant interpretation it deserves from our own esteemed Osmo Vänskä.

MAHLER
Symphony No. 7

Fun Facts:

  • Leonard Bernstein viewed the Seventh as a comment on the breakdown of bourgeois society, praising it as “ironic and exciting and ultimately heartbreaking.”
  • Mahler conducted the premiere of his Symphony No. 7 in Prague in 1908.
  • In 1910, Mahler consulted just one time with renowned Viennese psychologist Sigmund Freud, who diagnosed him with a “mother fixation.”
  • In the third movement, the composer gives the cellos and double basses a dynamic marking of fffff, instructing them to ‘pluck the string so hard that it hits the wood’.
  • While the Minnesota Orchestra's Mahler recordings under the direction of Osmo Vänskä are currently enjoying great acclaim, the Orchestra also won the 2014 Grammy Award for Best Orchestral Performance for their recording of Sibelius’ First and Fourth Symphonies on the BIS Records label.

Accessibility

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Sat Nov 3 8pm

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Guarantors' Week: Anthony Ross Plays Shostakovich

About This Concert:

Kinetically joyful, Beethoven’s Seventh Symphony represents the composer at the height of his powers, while Kevin Puts' contemporary work Imagining Beethoven brings new depth to Beethoven's creative process.

During the second week of November, the Minnesota Orchestra will celebrate its 7,000 + Guaranty Fund donors. This week's concert performances will be dedicated to all whose generous contributions ensure that the Minnesota Orchestra can continue to bring incredible music experiences to our community. In fact 80% of our overall budget – including generous gifts from the community - goes directly to support the Orchestra and its gorgeous music. With ticket sales only covering one quarter of the budget, donor support remains absolutely critical. To all of our donors – THANK YOU! You make this exciting season of music possible.

Donors: please see your email or postcard for directions on how to access your free tickets. Not yet a Guaranty Fund donor? Become a donor and support the music you love »

  • Minnesota Orchestra
  • Brett Mitchell, conductor
  • Anthony Ross, cello

*PUTS
Inspiring Beethoven

SHOSTAKOVICH
Cello Concerto No. 2

BEETHOVEN
Symphony No. 7

Fun Facts:

  • The second movement of the Shostakovich concerto is built on a popular 1920s street song from Odessa that he loved, "Bubliki, kupite bubliki" loosely translated as “Pretzels, buy my pretzels.”
  • Shostakovich composed his Second Cello Concerto in the spring of 1966. It was first performed September 25, 1966 of that year, at a 60th birthday party for the composer.
  • The Allegretto from Symphony No. 7 is heard as George VI delivers his first wartime speech in the Oscar-winning movie The King’s Speech.
  • Symphony No. 7 premiered in Vienna on December 8, 1813, at a charity concert for soldiers wounded in the Battle of Hanau between Austro-Bavarian troops and Napoleon’s army.
  • Principal Cello Anthony Ross joined the Minnesota Orchestra in 1988 and became principal cello in 1991. He was an award-winner in the prestigious Tchaikovsky Competition, and a recipient of two McKnight Fellowships.

*This work is part of Minnesota Orchestra’s season-long exploration and celebration of American music. Learn more about our American Expressions festival in January 2019.

Accessibility

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Sat Nov 17 8pm

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A Christmas Oratorio

About This Concert:

Join us for the grand finale of Bach’s six-part Oratorio as the Minnesota Chorale celebrates the naming and adoration of the Christ in the last three passionate cantatas of this soaring, sacred work.

  • Minnesota Orchestra
  • Nicholas Kraemer, conductor
  • Sherezade Panthaki, soprano
  • Robin Blaze, countertenor
  • Richard Croft, tenor
  • Christopher Edwards, baritone
  • Minnesota Chorale

BACH
Orchestral Suite No. 3 

BACH
Christmas Oratorio, Cantatas 4, 5 and 6

Fun Facts:

  • Bach’s Christmas Oratorio was written with the intention of each cantata being performed a different night over the 12 days of Christmas.
  • The Christmas Oratorio, completed around Christmastime of 1734, is a set of six cantatas. Much like the passions of Matthew and John, it features a tenor Evangelist telling the story of Christ as it appears in the gospels of Luke and Matthew.
  • For the Oratorio, Bach borrowed his own music, adapting choruses and arias from earlier secular works for this large-scale endeavor.
  • A British conductor with a lifelong affinity for Bach and baroque music, Nicholas Kraemer “brings a zest and exuberance to even the most familiar works.” Chicago Classical Review

Accessibility

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Sat Dec 8 8pm

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Vänskä Conducts American Nomad

About This Concert:

Join the Minnesota Orchestra and our virtuoso trumpeter Charles Lazarus for a performance showcasing the multifaceted beauty, scope and originality of talented trailblazers in the landscape of contemporary American sound.

*SCHUMAN
New England Triptych

*HEITZEG
American Nomad, for Trumpet and Orchestra

*PRICE
Symphony No. 3

Fun Facts:

  • Composer Steve Heitzeg features the trumpet in his work as "a messenger or troubador." He says "it's a call and response. It's an alarm. It brings us together."
  • Steve Heitzeg grew up on his family’s dairy farm in south central Minnesota, and much of his work reflects his connection to the natural world. His compositions have been performed by the Atlanta Symphony, the Detroit Symphony, the Philadelphia Orchestra, VocalEssence, Chanticleer and the Dale Warland Singers, as well as the Minnesota Orchestra.
  • As the title suggests, American Nomad is a road trip through the U.S., starting with the first movement Avenue of the Americas, New York City, wandering South, then through the Great Plains, the deserts of the Southwest and ending on the California coast.
  • Using a popular jazz technique, Lazarus taps into the emotion of Nomad with a plunger mute.
  • Florence Beatrice Price was an award-winning pianist and composer who became the first African-American woman to have her work performed by a major orchestra.
  • Marian Anderson sang Price's arrangement of the spiritual My Soul's Been Anchored in de Lord at the Lincoln Memorial in 1939, and also perform Price’s musical arrangement of the Langston Hughes's poem, "Song to the Dark Virgin." Later, vocalists like Leontyne Price and William Warfield worked to champion Price’s work.

Accessibility

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This program is part of Minnesota Orchestra's American Expressions festival, celebrating and exploring this country’s bold, imaginative and diverse classical music tradition.

Sat Jan 12 8pm

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Beethoven and Strauss

About This Concert:

Beginning with the mysterious opening of Beethoven’s Fourth Piano Concerto and culminating with the heroic brass fanfare of Strauss’ tone poem, the Minnesota Orchestra illuminates the symphonic wizardry of these legendary composers.

  • Minnesota Orchestra
  • Vasily Petrenko, conductor
  • Nikolai Lugansky, piano

BEETHOVEN
Piano Concerto No. 4

STRAUSS
Ein Heldenleben (A Hero's Life)

Fun Facts:

  • Beethoven finished his Fourth Piano Concerto in 1806, but had trouble finding anyone willing to perform it until two years later on December 22, 1808.
  • Beethoven’s prodigious rate of composition somewhat eclipsed this concerto, and he has Felix Mendelssohn to thank for popularizing it through performances at multiple concert halls across Europe.
  • Ein Heldenleben was initially viewed by critics as proof of Strauss’s artistic egotism, with its hero standing for the composer himself. Later critics believed the work to be a response to Friedrich Nietzsche’s philosophies and their focus on the struggle between the inner and outer lives of the individual.
  • The Daily Telegraph praises pianist Nikolai Lugansky’s performances for “the way they dig so deeply into the substance beneath the surface.”
  • According to The Guardian, Lugansky is “assertive in articulation” and “forthright yet darkly poetic in his approach.”

Accessibility

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Sat Feb 9 8pm

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Mozart's Double Piano Concerto

About This Concert:

Renowned twin pianists Christina and Michelle Naughton sparkle in Mozart’s lyrical conversation between two pianos while former Minnesota Orchestra director Edo de Waart returns to the stage with a triumphant Respighi reprise.

  • Minnesota Orchestra
  • Edo de Waart, conductor
  • Christina Naughton, piano
  • Michelle Naughton, piano

*BATES
Garages of the Valley 

MOZART
Concerto No. 10 for Two Pianos and Orchestra 

RESPIGHI
Church Windows

Fun Facts:

  • This performance is a homecoming of sorts for Dutch conductor Edo de Waart. He was music director of the Minnesota Orchestra from 1986 to 1995.
  • 30-year old composer Mason Bates was inspired by the garages of Silicon Valley that served as incubators for some of the most successful tech businesses of the Digital Age.
  • According to Revue, “The Naughton twins bring esoteric unity to their art form in a way only identical twins can.”
  • The San Francisco Examiner celebrates the Naughtons for their “stellar musicianship, technical mastery, and awe-inspiring artistry.”
  • Born in Princeton, NJ, Christina and Michelle are graduates of The Juilliard School and the Curtis Institute of Music. They are Steinway Artists who currently reside in New York City.
  • Mozart’s concerto was originally scored for the two pianos together with two oboes, two bassoons; two horns; and strings; he later expanded the score with pairs of clarinets, trumpets and timpani in E flat and B flat.

*This work is part of Minnesota Orchestra's season-long exploration and celebration of American music. Learn more about our American Expressions festival in January 2019.

Accessibility

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Sat Feb 23 8pm

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Prokofiev's Symphony No. 7

About This Concert:

Join us for two can’t-miss guests as Moscow-born guest conductor Dima Slobodeniouk takes the stage for a graceful rendering of Prokofiev’s Seventh Symphony, and powerhouse cellist Johannes Moser performs folkloric Lutosławski’s concerto.

  • Minnesota Orchestra
  • Dima Slobodeniouk, conductor
  • Johannes Moser, cello

PROKOFIEV
Suite from Love for Three Oranges

LUTOSŁAWSKI
Cello Concerto

PROKOFIEV
Symphony No. 7 

Fun Facts:

  • Commissioned in 1954 for the nascent Warsaw Philharmonic Orchestra, Lutosławski’s concerto draws on Oskar Kolberg's five-volume Mazowsze collection of Polish folk music from the Mazovian region for inspiration.
  • La Opinion applauds Slobodeniouk’s “exceptional sensitivity,” while BBC Music Magazine gives him “full marks…for putting across all this music with such power, intelligence, and refinement.”
  • Prokofiev died at the age of 61, on March 5, 1953, the same day Stalin's death was made public. For three days, hordes of Stalin’s mourners made it impossible to transfer Prokofiev for burial.
  • Johannes Moser is “one of the finest among the astonishing gallery of young virtuoso cellists” according to Gramophone magazine, and Mercury News cheers his “rare technical clarity and directness of expression.”

Accessibility

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Sat Mar 2 8pm

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Vänskä, Currie and Copland

About This Concert:

Join us for the U.S. premiere of Mark-Anthony Turnage’s homage to composer Steve Martland, performed hypnotically by Colin Currie, and Missy Mazzoli’s darkly evocative work inspired by James Tate’s poem The Lost Pilot.

  • Minnesota Orchestra
  • Osmo Vänskä, conductor
  • Colin Currie, percussion

*MAZZOLI
These Worlds in Us 

TURNAGE
Martland Memorial for Percussion and Orchestra [U.S. Premiere]

*COPLAND
Symphony No. 3

Fun Facts:

  • Composer Missy Mazzoli, called “Brooklyn's post-millennial Mozart” by Timeout New York, won the Best Opera of 2016 award from the Music Critics Association of North America for her work Breaking the Waves.
  • Given its U.S. premiere at these concerts, Martland Memorial is Mark-Anthony Turnage’s concerto-style musical tribute to his friend and fellow composer Steve Martland, and was composed especially to showcase the percussion genius of Colin Currie.
  • A dynamic performer, Colin Currie has been named “The world’s finest and most daring percussionist” by The Spectator.
  • Written at the end of World War I, Copland’s No. 3 combined European symphonic tradition with the iconic folksong-infused style he developed in his ballets to craft one of the most exuberantly majestic American symphonies ever written.
  • Copland’s famous Fanfare for the Common Man was originally written as a stand-alone piece, but he later incorporated as the main theme of the fourth movement of his Third Symphony.

*This work is part of Minnesota Orchestra's season-long exploration and celebration of American music. Learn more about our American Expressions festival in January 2019.

Accessibility

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Sat Mar 16 8pm

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Stephen Hough Plays Mendelssohn

About This Concert:

Join the Minnesota Orchestra for world-renowned British pianist Stephen Hough’s precisely attuned and poetic translation of Mendelssohn’s opulent concerto as well as guest conductor Han-Na Chang’s dynamic handling of Beethoven’s towering Eroica symphony.

  • Minnesota Orchestra
  • Han-Na Chang, conductor
  • Stephen Hough, piano

*SHEPHERD 
Silvery Rills

MENDELSSOHN
Piano Concerto No. 1 

BEETHOVEN
Symphony No. 3, Eroica

Fun Facts:

  • The symphony was originally written in honor of Napoleon, who Beethoven believed to a champion of freedom. When Napoleon crowned himself Emperor of France in 1804, Beethoven was disgusted and changed the name from "The Bonaparte Symphony" to "Eroica."
  • The Eroica premiered in Vienna on April 7, 1805, and was grander in scale than most symphonies at the time. It was Beethoven’s largest solely instrumental work.
  • Ambitious in both its scope and its emotional impact, Eroica shattered conventional audience expectations that music was mere entertainment, containing no larger message or mission.
  • The St. Louis Post Dispatch calls Han-Na Chang “one of the most exciting conductors to take the podium” and praised her “inspired control.”
  • Hough discovered his affinity for piano when he selected more than one hundred nursery rhymes on his aunt’s piano. He went on to become one of the youngest students at the Royal Northern College of Music before winning a scholarship to The Juilliard School.
  • Hough rocks: When he was a guest on BBC Radio 4's cult hit Desert Island Discs program, he chose Led Zeppelin’s Stairway to Heaven as one of his musical selections.

*This work is part of Minnesota Orchestra's season-long exploration and celebration of American music. Learn more about our American Expressions festival in January 2019.

Accessibility

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Sat Apr 6 8pm

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Vänskä Conducts Beethoven and Sibelius

About This Concert:

Nordic forest spirits meet Greek gods in a performance that combines ethereal expressiveness with glittering Romanticism as Vänskä conducts Tómasson, Siblelius, Beethoven, and the U.S. premiere of composer Geoffrey Gordon’s Prometheus.

BEETHOVEN
Overture to The Creatures of Prometheus

*GORDON
Prometheus [U.S. Premiere]

TÓMASSON
Piano Concerto No. 2

SIBELIUS
Tapiola

Fun Facts:

  • According to Greek mythology, Prometheus created man from clay, then defied the gods to give man the gift of fire.
  • In the Romantic era during which Beethoven composed, Prometheus was viewed as symbol of lone genius whose attempts to improve human existence could lead to tragedy, as reflected in the sub-title for Mary Shelley’s Frankenstein: A Modern Prometheus.
  • Composed in 1801, The Creatures of Prometheus is a two-act ballet for which Beethoven wrote an overture, an introduction, fifteen numbers, and a finale.
  • Tapiola was Sibelius's last major work, a tone poem, inspired by the wanderings of a forest spirit in the The Kalevala, a nineteenth century epic poem based on Finnish folklore and mythology.
  • Pianist Vikingur Ólafsson gave the world premiere of fellow Icelander Haukur Tómasson’s Concerto No. 2 and is an avid fan of the composer. He’s praised Tómasson’s “bulletproof structures and “unique flair for orchestration.”
  • The young composer has earned serious acclaim for his work. “Gordon writes wonderfully idiomatic music, while earmarking his scores with an individual voice” writes the Salt Lake City Tribune. 
“Few musicians match Olafsson for creative flair,” says BBC Music Magazine and the New York Times anoints him “Iceland’s Glenn Gould.”

*This work is part of Minnesota Orchestra's season-long exploration and celebration of American music. Learn more about our American Expressions festival in January 2019.

Accessibility

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Sat Apr 27 8pm

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Erin Keefe Plays Bernstein's Serenade

About This Concert:

Immerse yourself in beauty of Leonard Bernstein’s mercurial Serenade, performed spectacularly by Concertmaster Erin Keefe, as well as stormily passionate minor-key symphonies from two towering classical composers who Bernstein cherished and championed.

  • Minnesota Orchestra
  • Juanjo Mena, conductor
  • Erin Keefe, violin

HAYDN
Symphony No. 44, Mourning Symphony

*BERNSTEIN
Serenade, after Plato's "Symposium"

*BERNSTEIN
Divertimento

MOZART
Symphony No 40

Fun Facts:

  • Leonard Bernstein composed Divertimento for the Boston Symphony Orchestra's centenary, and also in honor of Boston itself, as he was graduate of Harvard University and The Boston Latin School. The piece is a series based on two notes, B for Boston and C for Centennial.
  • A frequent soloist with national and international symphonies, Erin Keefe earned degrees from The Curtis Institute for Music and Julliard. She performs on a Nicolo Gagliano violin made in 1732.
  • Haydn wrote his Symphony No. 44 around 1770, during a musical era known as “Sturm und Drang” that was inspired by Rousseau’s Enlightenment philosophies emphasizing heightened emotional expressiveness.
  • While nicknamed the Trauer or Mourning Symphony, the piece is not intended to be especially sad. Hayden simply wanted it to be played at his funeral.
  • Plato's Symposium was inspired, according to Bernstein, by ancient dialogues about the nature of love, though scholars now speculate it was also a coded reference to Bernstein's own homosexuality.

*This work is part of Minnesota Orchestra's season-long exploration and celebration of American music. Learn more about our American Expressions festival in January 2019.

Accessibility

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Sat May 4 8pm

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Verdi Requiem

About This Concert:

Fusing operatic drama, gorgeous solo moments and symphonic prowess, Verdi’s Requiem is a transcendent musical rollercoaster well suited to the gift of Edward Gardner, a wunderkind conductor of symphonies and operas worldwide.

  • Minnesota Orchestra
  • Edward Gardner, conductor
  • Ailyn Pérez, soprano
  • Elizabeth DeShong, mezzo
  • René Barbera, tenor
  • Eric Owens, bass-baritone
  • Minnesota Chorale

VERDI
Requiem

Fun Facts:

  • Chief Conductor of the Bergen Philharmonic since October 2015, Edward Gardner has already led the orchestra on multiple international tours, including acclaimed performances in London, Berlin, Munich and Amsterdam.
  • Verdi's Requiem Mass was first performed in the Milan Cathedral on May 22, 1874. He composed it to honor a famous novelist and poet Alessandro Manzoni, who died the previous year.
  • Perhaps best known for his operas, Verdi based La Traviata on the successful French novel The Lady of the Camellias, written by Alexandre Dumas, and Rigoletto on a novel by Victor Hugo.
  • Born months apart, Giuseppe Verdi and Richard Wagner are both considered among the greatest operatic composers of all time. Although they never met, they allegedly disliked each other, and Verdi denounced Wagner as a composer who “chooses, unnecessarily, the untrodden path, attempting to fly where a rational person would walk with better results.”
  • Gardner has recorded for EMI Classics, including collaborations with Alison Balsom and Kate Royal, as well as music by Witold Lutosławski and Benjamin Britten for Chandos Records.
  • A student at Eton, Cambridge, and the Royal Academy of Music, Gardner was appointed Officer of the Order of the British Empire (OBE) in the 2012 Birthday Honours for services to music.

Accessibility

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Sat May 18 8pm

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Season Finale: Vänskä Conducts Mahler's Tenth

About This Concert:

By turns turbulent, calm, and ecstatic, Mahler’s Tenth Symphony evokes both despair and hope and Osmo Vänskä skillfully teases out the extremes to revel in their emotional depth for the sweeping season finale.

MAHLER/Cooke
Symphony No. 10

Fun Facts:

  • In his lifetime, Mahler was better known as a conductor rather than a composer and is considered to be one of the most passionate and greatest conductors in music history.
  • Entranced by Austrian military and folk music he grew up hearing, Mahler started rearranging and composing music on the accordion and piano.
  • Born a Jew, Mahler experienced racial discrimination in his youth and converted to Catholicism in 1897 to land a job at the Vienna State Opera, which would not hire Jews.
  • During WWII Nazi Germany banned famous Jewish conductors Otto Klemperer and Bruno Walter, who were known for their interpretations of Mahler’s work.
  • A Post-Romantic period composer, Mahler’s work foreshadowed the progressive tonality of the 20th century.
  • Music Director Osmo Vänskä and the Minnesota Orchestra’s newest major recording project of Mahler symphonies began with Mahler’s Fifth Symphony—which was nominated for a 2018 Grammy® Award.

Accessibility

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Sat Jun 15 8pm