The Minnesota Orchestra is pleased to offer $12 tickets (no fees!) for students with a valid school ID.
How to get your rush tickets online:
Simply choose a concert listed below and select a seat with the "Student Rush" price type to have the discount automatically applied to your order. Tickets will be held at the Box Office and require one valid student ID per two tickets purchased.
How to get your rush tickets in-person:
Tickets are available starting one hour prior to the concert. Call Ticket Services (612-371-5656) the day of the concert to inquire if rush tickets will be offered. Limit four tickets per valid student ID.
About This Concert:
A huge success at its 1930s premiere and beloved by orchestras and choirs since, Belshazzar’s Feast tells the ancient Hebrew story of lamentation and liberation.
- Minnesota Orchestra
- Andrew Litton, conductor
- Christopher Maltman, baritone
- Nick Cecchi, boy soprano
- Sara Payne, soprano
- Alyssa Burdick, mezzo
- Jake Thede, tenor
- Harrison Hintzsche, baritone
- Minnesota Chorale
- Leonard Bernstein, linked so strongly to Manhattan by his Broadway successes and his years leading the New York Philharmonic, was born 100 years ago—outside Boston.
- Bernstein’s Fancy Free is a ballet set in WWII-era New York, the comic story of three sailors on leave and looking for love.
- Belshazzar’s Feast sets Hebrew scripture about the overthrow of Babylonia’s King Belshazzar to sweeping music.
- The British Broadcasting Corporation commissioned Walton in 1929 to create a “small-scale” choral work, but instead he wrote Belshazzar’s Feast for a chorus and orchestra so large they couldn’t fit into BBC studios.
- Sir Thomas Beecham conducted the premiere, and as he saw the work-in-progress getting larger and larger he said, “My dear boy, because no one will ever hear this piece again, why not throw in a couple of brass bands?”
- After the huge success of its 1931 premiere, Belshazzar’s Feast became one of the most popular oratorios of the 20th century.
- Since his last performance at Orchestra Hall in 2008, Christopher Maltman returns with the Minnesota Chorale.
It takes a larger-than-life talent to bring William Walton’s sweeping oratorio Belshazzar’s Feast to life, and Andrew Litton is just that talent–with a Grammy-winning® recording to prove it. Litton joins us in spring to lead this inspirational setting from the Hebrew scriptures about the liberation of the Jewish people.
About This Concert:
Augustin Hadelich brings his crystalline tone to Beethoven’s Violin Concerto, then Orchestra Hall lights up with Berlioz’s brilliant Symphonie fantastique.
- Is it too easy or too hard? The Beethoven Concerto isn’t every violinist’s cup of tea because the emphasis here is on lyricism and elegance, not technical fireworks.
- When Hadelich was a boy, he suffered severe burns and couldn’t play violin for a year. He said, “Because I had this moment where I wasn’t sure if I would ever play the violin again, I appreciate my life more. It made me realize how important music was to me.”
- Berlioz wrote his Symphonie fantastique when he was only 27 (and most likely experimenting with opium).
- Leonard Bernstein said, “Berlioz tells it like it is. You take a trip, you wind up screaming at your own funeral.”
- The fifth movement of Symphonie fantastique contains the iconic funeral chant, the Dies Irae.
Note: All seating subject to availability and may vary by performance. Available while supplies last and may not be combined with any other offer. Tickets are non-exchangeable and non-refundable. Top-priced seating sections not eligible.