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Young People's: American Soundscapes

Recommended for grades 6-12
In this exciting new offering specifically designed for middle and high school students, violist Sam Bergman hosts a concert that reveals how the “American sound” became what it is today—the way Native American elements were used, and how deeply Afro-American culture influenced rhythm, harmony and more.

Taking center stage is Gershwin’s jazzy, brilliantly evocative American in Paris, while additional repertoire highlights include works of Copland and William Grant Still—notably his Afro-American Symphony, where we’ll recognize the “12-bar blues” chord progression that makes up the bass line in early rock ’n’ roll.

Location Orchestra Hall
1111 Nicollet Mall
Minneapolis
MN
55403
http://www.minnesotaorchestra.org
Minnesota Orchestra Young People’s Concerts are for schools, homeschools and families looking for an outstanding arts experience that is both educational and engaging. All orders must have at least one child (ages 1 to 17) and at least one accompanying adult.

Young People's: American Soundscapes

featuring Gershwin's An American in Paris

Tickets

1528724026

1457544900

1560864826

Wed Mar 9 2016 11:35am

Other Performances

Wed Mar 9 2016 10am

American Soundscapes

American Soundscapes

Minnesota Orchestra Young People’s Concerts are for schools, homeschools and families looking for an outstanding arts experience that is both educational and engaging. All orders must have at least one child (ages 1 to 17) and at least one accompanying adult.

Recommended for grades 6-12
In this exciting new offering specifically designed for middle and high school students, violist Sam Bergman hosts a concert that reveals how the “American sound” became what it is today—the way Native American elements were used, and how deeply Afro-American culture influenced rhythm, harmony and more.

Taking center stage is Gershwin’s jazzy, brilliantly evocative American in Paris, while additional repertoire highlights include works of Copland and William Grant Still—notably his Afro-American Symphony, where we’ll recognize the “12-bar blues” chord progression that makes up the bass line in early rock ’n’ roll.