Download as iCal file
Vänskä Conducts Beethoven and Sibelius

About This Concert:

Nordic forest spirits meet Greek gods in a performance that combines ethereal expressiveness with glittering Romanticism as Vänskä conducts Tómasson, Siblelius, Beethoven, and the U.S. premiere of composer Geoffrey Gordon’s Prometheus.

BEETHOVEN
Overture to The Creatures of Prometheus

*GORDON
Prometheus [U.S. Premiere]

TÓMASSON
Piano Concerto No. 2

SIBELIUS
Tapiola

Fun Facts:

  • According to Greek mythology, Prometheus created man from clay, then defied the gods to give man the gift of fire.
  • In the Romantic era during which Beethoven composed, Prometheus was viewed as symbol of lone genius whose attempts to improve human existence could lead to tragedy, as reflected in the sub-title for Mary Shelley’s Frankenstein: A Modern Prometheus.
  • Composed in 1801, The Creatures of Prometheus is a two-act ballet for which Beethoven wrote an overture, an introduction, fifteen numbers, and a finale.
  • Tapiola was Sibelius's last major work, a tone poem, inspired by the wanderings of a forest spirit in the The Kalevala, a nineteenth century epic poem based on Finnish folklore and mythology.
  • Pianist Vikingur Ólafsson gave the world premiere of fellow Icelander Haukur Tómasson’s Concerto No. 2 and is an avid fan of the composer. He’s praised Tómasson’s “bulletproof structures and “unique flair for orchestration.”
  • The young composer has earned serious acclaim for his work. “Gordon writes wonderfully idiomatic music, while earmarking his scores with an individual voice” writes the Salt Lake City Tribune. 
“Few musicians match Olafsson for creative flair,” says BBC Music Magazine and the New York Times anoints him “Iceland’s Glenn Gould.”

*This work is part of Minnesota Orchestra's season-long exploration and celebration of American music. Learn more about our American Expressions festival in January 2019.

Accessibility

Assisted listening devices available Large print program available Wheelchair seating availableService dogs welcomePlease refrain from using strong perfumes and colognes

Read more about Accessibility at Orchestra Hall.

Location Orchestra Hall
1111 Nicollet Mall
Minneapolis
MN
55403
http://www.minnesotaorchestra.org

Returning and new subscribers get early access to all 2018-19 concerts. Subscription information » Tickets go on sale to the general public August 3.

Classical

Vänskä Conducts Beethoven and Sibelius

Tickets

1524116422

1556326800

1556257222

Fri Apr 26 2019 8pm

Other Performances

Thu Apr 25 11am

Sat Apr 27 2019 8pm

Timothy Zavadil | Photo © Travis Anderson

Timothy Zavadil | Photo © Travis Anderson

Returning and new subscribers get early access to all 2018-19 concerts. Subscription information » Tickets go on sale to the general public August 3.

About This Concert:

Nordic forest spirits meet Greek gods in a performance that combines ethereal expressiveness with glittering Romanticism as Vänskä conducts Tómasson, Siblelius, Beethoven, and the U.S. premiere of composer Geoffrey Gordon’s Prometheus.

BEETHOVEN
Overture to The Creatures of Prometheus

*GORDON
Prometheus [U.S. Premiere]

TÓMASSON
Piano Concerto No. 2

SIBELIUS
Tapiola

Fun Facts:

  • According to Greek mythology, Prometheus created man from clay, then defied the gods to give man the gift of fire.
  • In the Romantic era during which Beethoven composed, Prometheus was viewed as symbol of lone genius whose attempts to improve human existence could lead to tragedy, as reflected in the sub-title for Mary Shelley’s Frankenstein: A Modern Prometheus.
  • Composed in 1801, The Creatures of Prometheus is a two-act ballet for which Beethoven wrote an overture, an introduction, fifteen numbers, and a finale.
  • Tapiola was Sibelius's last major work, a tone poem, inspired by the wanderings of a forest spirit in the The Kalevala, a nineteenth century epic poem based on Finnish folklore and mythology.
  • Pianist Vikingur Ólafsson gave the world premiere of fellow Icelander Haukur Tómasson’s Concerto No. 2 and is an avid fan of the composer. He’s praised Tómasson’s “bulletproof structures and “unique flair for orchestration.”
  • The young composer has earned serious acclaim for his work. “Gordon writes wonderfully idiomatic music, while earmarking his scores with an individual voice” writes the Salt Lake City Tribune. 
“Few musicians match Olafsson for creative flair,” says BBC Music Magazine and the New York Times anoints him “Iceland’s Glenn Gould.”

*This work is part of Minnesota Orchestra's season-long exploration and celebration of American music. Learn more about our American Expressions festival in January 2019.

Accessibility

Assisted listening devices available Large print program available Wheelchair seating availableService dogs welcomePlease refrain from using strong perfumes and colognes

Read more about Accessibility at Orchestra Hall.