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Wagner, Liszt and Schumann

About This Concert:

Wagner’s beautiful chamber work Siegfried Idyll, Liszt’s glittering Piano Concerto No. 1 and the soaring Symphony No. 2 by Schumann.

  • Minnesota Orchestra
  • Markus Stenz, conductor
  • Louis Lortie, piano

WAGNER
Siegfried Idyll

LISZT
Piano Concerto No. 1

SCHUMANN
Symphony No. 2

Fun Facts:

  • Richard Wagner surprised his wife at Christmas long ago with Siegfried Idyll, and her standards were awfully high, as she was also the daughter of Franz Liszt.
  • Of course the piano is the most important instrument in Liszt’s Piano Concerto No. 1, but the tiny solo triangle comes in a surprisingly close second.
  • Canada’s Louis Lortie knows his Liszt, and his recent Liszt recording won a “Ten Best” citation from The New Yorker.
  • Schumann’s Symphony No. 2 was a triumph against all odds, written while the composer weathered debilitating mental-health challenges and a constant ringing in his ears.

 

Location Orchestra Hall
1111 Nicollet Mall
Minneapolis
MN
55403
http://www.minnesotaorchestra.org
Classical

Wagner, Liszt and Schumann

Tickets

1515595701

1523754000

1547736501

Sat Apr 14 8pm Buy

Other Performances

Fri Apr 13 8pm Buy

Schumann Symphony No. 2

Schumann Symphony No. 2

About This Concert:

Wagner’s beautiful chamber work Siegfried Idyll, Liszt’s glittering Piano Concerto No. 1 and the soaring Symphony No. 2 by Schumann.

  • Minnesota Orchestra
  • Markus Stenz, conductor
  • Louis Lortie, piano

WAGNER
Siegfried Idyll

LISZT
Piano Concerto No. 1

SCHUMANN
Symphony No. 2

Fun Facts:

  • Richard Wagner surprised his wife at Christmas long ago with Siegfried Idyll, and her standards were awfully high, as she was also the daughter of Franz Liszt.
  • Of course the piano is the most important instrument in Liszt’s Piano Concerto No. 1, but the tiny solo triangle comes in a surprisingly close second.
  • Canada’s Louis Lortie knows his Liszt, and his recent Liszt recording won a “Ten Best” citation from The New Yorker.
  • Schumann’s Symphony No. 2 was a triumph against all odds, written while the composer weathered debilitating mental-health challenges and a constant ringing in his ears.

 

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