Management & Administration

Danish conductor Thomas Søndergård, who in September 2025 began his third season as music director of the Minnesota Orchestra, is a highly regarded conductor in both the orchestral and opera spheres. He has earned a reputation for incisive interpretations of works by composers from his native Denmark, a great versatility in a broad range of standard and modern repertoire, and a collaborative approach with the musicians he leads.

Søndergård first conducted the Minnesota Orchestra in December 2021, establishing an immediate rapport with musicians and audiences that has only grown over the ensuing seasons. According to The New York Times in 2025, “Under its new leader the Minnesota Orchestra...plays with a conviction and intensity that could put many a more heralded ensemble to shame.” Highlights of his 2025-26 season in Minnesota include opera-in-concert performances of Bartók’s Bluebeard’s Castle, a festival of music from Nordic countries, collaborations with renowned soloists such as Joyce DiDonato, Yo-Yo Ma and Kirill Gerstein, and a Listening Project concert focused on the music of underrepresented composers. In November the PENTATONE label will release the Orchestra’s first album under Søndergård’s direction, featuring two works of British composer Thomas Adès: his Violin Concerto with soloist Leila Josefowicz and the world premiere recording of his Exterminating Angel Symphony. 

Since 2018, Søndergård has been music director of the Royal Scottish National Orchestra (RSNO), a role he continues alongside his Minnesota appointment. Between 2012 and 2018, he served as principal guest conductor of the RSNO and principal conductor of BBC National Orchestra of Wales (BBC NOW), after stepping down as principal conductor and musical advisor of the Norwegian Radio Orchestra. 

In the 2025-26 season, in addition to a slate of RSNO concerts at home, at the Edinburgh International Festival and on tour in Europe and China, he appears as guest conductor with the Konzerthausorchester Berlin, Philharmonia Orchestra, Danish National Symphony Orchestra, Finnish Radio Symphony Orchestra, Oslo Philharmonic and, in a debut, the Orquestra Sinfònica de Barcelona. He also sits on the jury of the 2025 London Symphony Orchestra Donatella Flick Conducting Competition. 

Søndergård has appeared with many notable orchestras in leading European centers such as Berlin (including the Berlin Philharmonic, Rundfunk-Sinfonieorchester Berlin, Mahler Chamber Orchestra and Konzerthausorchester Berlin), Leipzig (Gewandhausorchester), London (London Philharmonic, BBC Symphony, London Symphony and Philharmonia Orchestra), Paris (Orchestre National de France), and Amsterdam and Rotterdam (Royal Concertgebouw Orchestra, Netherlands Philharmonic and Rotterdam Philharmonic). He is a familiar figure in Scandinavia, with such orchestras as the Aalborg Symfoniorkester, Bergen Philharmonic, Danish National Symphony Orchestra, Finnish Radio Symphony, Gothenburg Symphony, Helsinki Philharmonic, Orchestra Oslo Philharmonic, Royal Stockholm Philharmonic and Swedish Radio Symphony. 

His North American appearances to date have included the New York Philharmonic and the symphony orchestras of Atlanta, Chicago, Baltimore, Cincinnati, Detroit, Houston, Seattle, St. Louis, Montreal, Toronto and Vancouver. He has made highly successful tours to China, Korea, Australia and New Zealand. On the operatic stage, following his in early 2022 for Die Walküre, he returned to the Royal Danish Opera to conduct Richard Strauss’ Elektra. 

In 2015, as part of the 150th anniversary celebrations of both Jean Sibelius and Carl Nielsen, Søndergård conducted a wide variety of their works with many leading orchestras. A passionate supporter of the music of Nielsen, he led a performance with Swedish Radio Symphony of Nielsen’s Symphony No. 5 that was praised as “equal of the great pioneers of Nielsen interpretation...It’s hard to imagine a finer performance of this remarkable symphony” (Dagens Nyheter); in 2019 he participated in a special concert to celebrate Nielsen’s work with the Royal Danish Academy of Music Copenhagen.

Following his acclaimed debut for Royal Danish Opera (Kafka’s Trial), he has returned regularly to conduct a broad repertoire, ranging from contemporary to mainstream, including The Marriage of Figaro, The Barber of Seville, La Bohème, The Cunning Little Vixen, Il viaggio a Reims and a Reumert Award-winning engagement for Die Walküre. His Stockholm productions of Tosca and Turandot (both with Nina Stemme) led to his Bayerische Staatsoper debut, conducting main season and Opera Festival performances of Turandot with Stemme; he most recently returned for the Opera’s Akademiekonzert series. He made his Deutsche Oper Berlin debut with the world premiere of Scartazzini’s Edward II and has since returned for Berlioz’s Romeo and Juliet.

Søndergård’s discography covers a broad range of contemporary and mainstream repertoire, including Sibelius symphonies and tone poems with BBC NOW and Prokofiev and Strauss with RSNO for Linn Records; Vilde Frang’s celebrated debut recording of violin concertos by Sibelius and Prokofiev with the WDR Symphony Orchestra Cologne (on EMI); works by Poul Ruders with the Aarhus Symphony, Norwegian Radio and Royal Danish Opera (Kafka’s Trial) for Dacapo and Bridge Records; and Lutosławski and Dutilleux concertos with cellist Johannes Moser and Rundfunk Sinfonieorchester Berlin (PENTATONE).

In January 2022, Søndergård was decorated with a Royal Order of Chivalry – the Order of Dannebrog (Ridder af Dannebrogordenen) by Her Majesty Margrethe II, Queen of Denmark. And in 2023, Søndergård received the prestigious honorary award from the Carl Nielsen and Anne Marie Carl-Nielsen Foundation to support his continued development as a conductor.

As only the 11th music director in the Minnesota Orchestra’s 120-year history, Søndergård succeeds Emil Oberhoffer, Henri Verbrugghen, Eugene Ormandy, Dmitri Mitropoulos, Antal Dorati, Stanislaw Skrowaczewski, Sir Neville Marriner, Edo de Waart, Eiji Oue and, most recently, Osmo Vänskä, who led the Orchestra from 2003 to 2022.

October 2025

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