The Minnesota Orchestra Reading Sessions
and Composer Institute, presented each season by the Minnesota
Orchestra and American Composers Forum in cooperation with the
American Music Center, provides the opportunity for up to nine
composers from across the nation to participate in an intensive
week-long immersion into the world of a major American symphony
orchestra.
The Institute, which to our knowledge is unique in the nation,
features orchestral reading sessions and more than 25 targeted
workshops with leading music industry professionals from New York
and the Twin Cities. Seminar topics include many not offered elsewhere,
including advanced instrumental and orchestral writing, copyrights,
commissioning, publishing, music preparation, public speaking,
union orchestra regulations, community residencies, and working
in educational settings, among others.
Prior to and following the reading sessions, composers receive
feedback from conductors, their fellow composers, Aaron Jay Kernis,
and Minnesota Orchestra members. Many area composers who are members
of the American Composers Forum also audit the seminars free of
charge.
Beginning with the 2003-04 season, a Composer Institute alumnus
will be invited to compose a piece for each Young People's concert
season.
All reading sessions are FREE and OPEN TO THE PUBLIC.
October 2004 Composer Institute Orchestral Reading
Sessions:
Thursday, October 28, 2-4pm, Orchestra Hall
Friday, October 29, 10am-12:30pm, Orchestra Hall
Friday, October 29, 1:35-3:35pm, Orchestra Hall
Next score deadline for the 2005-06 season's Composer Institute
is to be announced. CLICK
HERE for complete eligibility and submission information.
For the May 2004 Composer Institute, funding from Meet The Composer,
Inc. was provided with the support of The Jerome Foundation, ASCAP,
Virgil Thomson Foundation, and National Endowment for the Arts.
The May 2004 Composer Institute was made possible in part by a
grant from the Linda and Jack Hoeschler Fund of the St. Paul Foundation.
The October 2004 Composer Institute was made possible in part
by grants from Daniel Kunin, the Amphion Foundation, and the Linda
and Jack Hoeschler Fund of the St. Paul Foundation.