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Mendelssohn and Mozart

About This Concert:

The Minnesota Orchestra’s cello section performs works for cello ensemble. Mendelssohn’s Second String Quartet and Mozart’s Quintet for Strings in G minor round out the program on this Sunday afternoon chamber concert, designed by Minnesota Orchestra musicians.

MENDELSSOHN
String Quartet No. 2

MUSIC FOR CELLO ENSEMBLE

MOZART
String Quintet in G minor

Fun Facts:

  • Mendelssohn began work on his quartet right around the time that Beethoven died. He makes several vivid references to Beethoven’s string quartets throughout the piece.
  • The nickname for Mendelssohn’s quartet is “Frage,” meaning “Question” in German.
  • Mozart’s Quintet in G minor was written one month apart from his Quintet in C major. Stylistically, the two quintets are complete opposites of each other. The same thing happened when he wrote his Symphonies No. 40 and 41, which are also in G minor and C major, respectively.
Location Target Atrium, Orchestra Hall
1111 Nicollet Mall
Minneapolis
MN
55403
612-371-5600
http://www.minnesotaorchestra.org/about/plan-your-visit/general-information
Chamber Music in the Target Atrium

Mendelssohn and Mozart

Tickets

1518346983

1523827800

1550487783

Sun Apr 15 4:30pm Buy

Anthony Ross, Silver Ainomäe, Beth Rapier, Arek Tesarczyk

Anthony Ross, Silver Ainomäe, Beth Rapier, Arek Tesarczyk

About This Concert:

The Minnesota Orchestra’s cello section performs works for cello ensemble. Mendelssohn’s Second String Quartet and Mozart’s Quintet for Strings in G minor round out the program on this Sunday afternoon chamber concert, designed by Minnesota Orchestra musicians.

MENDELSSOHN
String Quartet No. 2

MUSIC FOR CELLO ENSEMBLE

MOZART
String Quintet in G minor

Fun Facts:

  • Mendelssohn began work on his quartet right around the time that Beethoven died. He makes several vivid references to Beethoven’s string quartets throughout the piece.
  • The nickname for Mendelssohn’s quartet is “Frage,” meaning “Question” in German.
  • Mozart’s Quintet in G minor was written one month apart from his Quintet in C major. Stylistically, the two quintets are complete opposites of each other. The same thing happened when he wrote his Symphonies No. 40 and 41, which are also in G minor and C major, respectively.
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