Composers will travel to Minneapolis for Orchestra’s acclaimed professional training program, directed for second year by Pulitzer Prize-winner Kevin Puts and co-presented with the American Composers Forum; Institute runs from January 25 to 30, 2016, highlighted by January 29 concert conducted by Osmo Vänskä
Seven emerging composers have been selected as participants in the Minnesota Orchestra’s 13th annual Composer Institute, Institute Director Kevin Puts announced today. Chosen from a pool of 158 candidates through a competitive process, the composers collectively come from six U.S. states and the Philippines and currently reside throughout the U.S., and their works encompass a variety of musical styles. They will be in Minneapolis from January 25 to 30, 2016, for rehearsals, seminars and mentoring sessions, as well as a public “Future Classics” performance of their works on Friday, January 29, with Music Director Osmo Vänskä conducting the Minnesota Orchestra in concert at Orchestra Hall in downtown Minneapolis.
The Composer Institute participants are Minnesota native Kirsten Broberg, now of Denton, Texas; Matthew Browne of Ann Arbor, Michigan; Philippines native Joshua Cerdenia, now of New York City; Emily Cooley of Philadelphia, Pennsylvania; Nicholas DiBerardino of Milford, Connecticut; Michael Gilbertson of Hamden, Connecticut; and Anthony Vine of Brooklyn, New York.
“The pool of applicants for this year’s Institute was large and at an exceedingly high level,” says Puts, who chaired the selection panel. “We were dazzled by the craft and imagination apparent among today’s young orchestral composers. Writing for the orchestra requires a special understanding of both its possibilities and idiosyncrasies, an understanding which our seven winners clearly grasp. It will be a thrill to help them further hone their skills next January.” Other panel members were Pulitzer Prize-winning composer Jennifer Higdon, a faculty member at the Curtis Institute; Grammy Award-nominated composer Derek Bermel, artistic director of the American Composers Orchestra; and Andrew Norman, a faculty member at the USC Thornton School of Music and a past Composer Institute participant.
In addition to the seven composers chosen to participate in the Composer Institute, the panel named the following composers as alternates: Luke Carlson, Carlos Carrillo, Shuying Li, Matthew Ricketts, Daniel Temkin and Conrad Winslow. In addition, these composers were designated as runners-up: Katherine Balch, Jacob Bancks, Corey Cunningham, Paul Dooley, Brian Egan, Luke Flynn, David Hertzberg, Patrick O’Malley, Nathan Shields, Phil Taylor and Christopher Weiss. Cited for honorable mention are: Juhi Bansal, Paul Frucht, Jared Miller and Scott Miller.
Minnesota Orchestra Composer Institute: Acclaimed program presented for 13th time
The Composer Institute, widely recognized as a leading professional training program for emerging symphonic composers, is co-presented by the Minnesota Orchestra and the American Composers Forum. Now in its second year under the direction of Pulitzer Prize-winner Kevin Puts, the Institute is an outgrowth of the Orchestra’s Perfect Pitch program, an annual series of new music reading sessions for Minnesota composers launched during the 1995-96 season. Many of the 113 composers who have previously taken part in Perfect Pitch and the Composer Institute have gone on to receive major commissions, awards, grants and additional performances of their works. Composer Aaron Jay Kernis was the Composer Institute’s founder and directed it for 11 seasons.
Minnesota Orchestra Classical Concert
FUTURE CLASSICS: EMERGING COMPOSER SPOTLIGHT
Friday, January 29, 2016, 8 p.m. / Orchestra Hall
Osmo Vänskä, conductor
Kevin Puts, Composer Institute director
KIRSTEN BROBERG Celestial Dawning
MATTHEW BROWNE Barnstorming Season
JOSHUA CERDENIA Magayon
EMILY COOLEY Scroll of the Air
NICK DiBERARDINO Asphodel
MICHAEL GILBERTSON Sinfonia After Vivaldi
ANTHONY VINE Transmission
TICKET PURCHASING INFORMATION
Individual tickets can be purchased by returning and new 2015-16 season subscribers beginning Tuesday, June 2, and by the general public on Friday, July 31. Tickets can be purchased online at minnesotaorchestra.org, by phone at 612-371-5656 (612-371-5642 for subscriptions) or 800-292-4141, or in person at the Orchestra Hall Box Office, 1111 Nicollet Mall, Minneapolis (open daily from 10 a.m. to 2 p.m. and beginning two hours before all ticketed performances); and at the Minnesota Orchestra Administrative Office, International Centre, 5th floor, 920 Second Avenue South, Minneapolis (open Monday to Friday, 9 a.m. to 5 p.m.). For more information, call 612-371-5656, or visit minnesotaorchestra.org. For subscriptions, call 612-371-5642 or visit minnesotaorchestra.org/subscribe. For groups of 10 or more, call 612-371-5662.
Published prices include a non-discountable facility fee that ranges from $2 to $5 per ticket. For single ticket purchases, there are no service charges for in-person transactions. There is a $6 service charge per transaction for all phone, fax or mail orders. Save $1 by purchasing tickets online or by having the Orchestra e-mail your tickets. (This charge is waived for subscribers and group purchasers ordering by phone, mail or in person.) Subscription packages are subject to a one-time $8 processing fee. No refunds. Some fees and restrictions may apply to ticket exchanges. All sales are final.
All programs, artists, dates, times and prices subject to change.
The 2016 Minnesota Orchestra Composer Institute is generously sponsored in part by The Aaron Copland Fund for Music, Inc.
The Star Tribune is the Minnesota Orchestra’s media partner for the 2015-16 season.
This activity is made possible by the voters of Minnesota through a Minnesota State Arts Board Operating Support grant, thanks to a legislative appropriation from the arts and cultural heritage fund.
Gwen Pappas, Director of Public Relations